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Movie watch what about love watch. The Accidental by Ali Smith Open Preview See a Problem? Wed love your help. Let us know whats wrong with this preview of The Accidental by Ali Smith. Thanks for telling us about the problem. 9, 725 ratings 1, 095 reviews Start your review of The Accidental I really enjoyed Ali Smiths How to be Both; this one for me was more hit and miss. A dysfunctional or normal family – pretty much the same thing nowadays – rents a holiday home in Norfolk. One day a mysterious stranger, a woman called Amber, arrives and ends up moving in with them. All four members of the family metaphorically are very much waiting for an amber light to turn to green and Ambers redemptive role is to reveal how this light might be changed. The first problem for me was Amber I really enjoyed Ali Smiths How to be Both; this one for me was more hit and miss. The first problem for me was Amber herself. Shes something of a cliché as an inspirational free spirit. More of a new age traveller than a sorceress or annunciation angel. Her remedies for the supposedly stifling middle class malaise gripping the family (this malaise isn't altogether convincing) are somewhat hackneyed. She introduces the son Magnus to sex and teaches Astrid to be hostile to public opinion and property. In fact theres a kind of hollow hippy philosophy at the back of this novel. Amber doesnt really have any convincing alternative reality to offer, though Smith tries to convince us, unsuccessfully for me, that her belligerent ministrations are empowering, redemptive, life changing. The other big problem is the unevenness of the characters. Each of the family members gets an equal share of the narrative. The females, especially the young Astrid are compelling and penetratively imagined; the two males, on the other hand, are flat and unconvincing. Husband and stepfather Michael is little more than a cliché – it doesnt matter that he himself comes to accept himself as a cliché: a professor who serially sleeps with his students. At one point he even decides hes going to pick the prettiest checkout girl in a supermarket and sleep with her: an hour later he implausibly achieves his ambition in the back of his car while shes on lunchbreak. At one point I remember thinking that Ali Smith is a bit like the British Nicole Krauss except theres more artistry in Krauss playfulness. Smith, by comparison, can come across as both whimsical and pretentious. Also thematically Krauss is more rigorously masterful; she rarely loses control of her core material; Smith, on the other hand, tends to overreach herself, go off on tangents as if she wants to include in her book everything she thinks about modern life. Prime example of this is when Amber is given a voice and we get five pages of hugely pretentious prose about cinema as if therein lies the explanation for everything. But for this novel to work you have to believe Amber leads the way to discovery in her disciples or victims and for me this only really worked with the pitch perfect Astrid. There were times when I wished the entire novel was about Astrid with perhaps Amber as a presence only she could see and hear. What saves the day is Smiths writing which is always quirkily eloquent and pulsing with vitality. Her characterisation of a 12 year old girl is also one of the best I've ever come across. However if you fancy reading her Id recommend How to Be Both over this... Oct 03, 2016 Fabian rated it really liked it I feel like there was an age, or it IS that age, where writers love to explore with much keenness the family unit, for it is the perfect structure with which to scrutinize its individual parts ( The Corrections. White Teeth. The Red House. the list is almost infinite. this one, a more accessible and modern "Sound and Fury" is a doozy. Like, what is happening here? is the main question through this dense but very readable firework of a novel. All 4, or five, protagonists are given a I feel like there was an age, or it IS that age, where writers love to explore with much keenness the family unit, for it is the perfect structure with which to scrutinize its individual parts ( The Corrections. White Teeth. The Red House. the list is almost infinite. All 4, or five, protagonists are given a very democratic framework in which to display their various personalities. We trace their singular trajectories, their personalities bleed unto each vignette like a soul to some artifact- authentic life stories, these. The crazy play-with-structure is indeed the premiere element which makes the novel unforgettable... Aug 09, 2015 Michael it was amazing Recommended to Michael by: Teresa This was a fun and surprising read with lots of scintillating wonders in its delivery and content. It falls into the box of “experimental writing”, but it flows along so fast and spritely compared to many a turgid, self-important postmodern of doorstop dimensions. Alis opening epigraph from John Berger was a perfect set-up: “Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to tat life, the empty space, the gap, This was a fun and surprising read with lots of scintillating wonders in its delivery and content. Alis opening epigraph from John Berger was a perfect set-up: “Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to tat life, the empty space, the gap, is enormous. ” The story is of a dysfunctional London family in summer residence in a rural town in Norfolk, with sections alternately told from the minds of an adult couple, Michael and Eve, and their kids, twelve-year old Astrid and seventeen-year old Magnus. Astrid is largely ignored by her parents and lives in a vibrant fantasy life and projects involving documenting the world with her videocam. Magnus is in a horrible limbo of probation pending investigation of his role in internet bullying of a girl that led to her suicide. Eve is enjoying success as a writer of a series based on ordinary real people who died in World War 2, whom she renders in a fictional rewrite of the life they might had lived. Michael is a professor of Victorian literature, failed poet, and perpetual philanderer targeting his students. Into their lives comes a stranger, Amber, a 30-something woman appears at their home unannounced: Sorry Im late. Im Amber. Car broke down. Eve assumes she is one of Michaels student conquests, and Michael assumes she is one of his wifes feminist acolytes. Astrid thrives on the attention she pays her, and Magnus finds solace in her ready grasp of the hell of remorse he is in. Michael is inspired by her ignoring him and smitten into lust and love by her apparent innocence and goodness. Eve is gratified by her taming effects on her kids and challenged to prove her integrity in the face of being told privately by Amber that she is an expert fake. Is Amber a midwife for healthy development of each character or a malevolent, lying manipulator? These questions get more insistent when she destroys Astrids camera and encourages Magnus adolescent lusts. The changes in Michael and Eve evolve down strange pathways, a great satire for me who appreciates a humbling of academics prone to getting divorced from the realities of ordinary life. Interspersed with the episodes on the family are segments told by someone who calls herself Alhambra, named after the movie theater where she was conceived. Her riffs on cinema history and the impact on our culture are marvelous. It seems likely this is Amber, based on what she says she gained from her parents: “ From my mother: grace under pressure; the uses of mystery; how to get what I want. From my father: how to disappear, how not to exist. ” One three-page mash-up of movie plots at the middle of the book is worth treasuring. Perhaps self-indulgent or perhaps a key to digesting the absurdist twists in the lives of supposedly ordinary people in the narrative. Try a sample and see if it doesnt whet you for the whole piece: But my father was Alphie, my mother was Isadora. I was unnaturally psychic in my teens, I made a boy fall off his bike and I burned down a whole school. My mother was crazy; she was in love with God. There I was on the alter about to marry someone else when my boyfriend hammered on the church glass at the back and we eloped together on a bus. My mother was furious. Shed slept with him too. The devil got me pregnant and a satanic sect made me go through with it. Then I fell in with some outlaws and did me some talking to the sun. I said I didnt like the way he got things done. I had sex in the back of the old closing cinema. I used butter in Paris. I had a farm in Africa. I took off my clothes in the window of an apartment building and distracted the two police inspectors from watching for the madman on the roof who was trying to shoot the priest. I fell for an Italian. It was his moves on the dancefloor that did it. I knew what love meant. It meant never having to say youre sorry. It meant the man who drove the taxi would kill the presidential candidate, or the pimp. It was soft as an easy chair. It happened so fast. I had my legs bitten off by the shark. I stabbed the kidnapper, but so did everyone else, it wasnt just me, on the Orient Express. I loved how Astrids playful, fertile mind was rendered, an internal version of her mothers characterization as “Kicky and impatient, blind as a kitten stupefied by all the knowing and not-knowing”. Innocent she may be, but she is the one to put things into perspective toward the end of the book by imaging in detail the apocalypse of an asteroid strike (asteroid she tells us is one letter added to her name. My biggest empathy for the characters goes to him due to Alis method of portraying his state of guilt over his classmates suicide and the cold arithmetic behind schools eventual decision to cover it up: Everyone is broken. …The people talking on all the millions of tvs in the world are all broken, though they seem whole enough. The tyrants are as broken as the people they broke. The people being shot or bombed or burned are broken. The people doing the shooting or the bombing or the burning are equally broken. … We are glad to inform you. The matter officially closed. The end result=theyve got away with it. The end result=no one really wants to know. … He can forget it. A simple act of subtraction. Him minus it. He can have his memory erased by a special laser pen-torch, like in Men in Black. I chock this one up as a bedazzling and wonderful read and recommend it to those who like quirky tales with an underground impact that can catch you unaware. As it is 10 years old, I will eagerly pursue other books from her imaginative mind... Feb 03, 2011 Shovelmonkey1 did not like it Recommends it for: smug male academics looking for inspiration Recommended to Shovelmonkey1 by: 1001 books list I cannot believe this book is on the 1001 books list. Do the people who write the list not like people who read books anymore? Why would they punish us so? 1001 list writers, once again I question you. Why? I didn't enjoy reading it and to say I found the story a pointless and unrewarding read is probably an understatement. The book seemed to be nothing more than a series of poorly strung together literary devices. or maybe it was a vehicle for the trundling out of a series of literary devices I cannot believe this book is on the 1001 books list. or maybe it was a vehicle for the trundling out of a series of literary devices to show how many literary devices there are. Anyway, whatever, they made the story seem too contrived and dull. None of the characters were engaging nor did they warrant any sympathy, empathy or any other kind of pathy. A prime example being Dr Michael Smart, all round nauseating self obsessed academic with a penchant for thinking and talking about himself in the third person and for bedding his students. Note - the two activities need not be mutually exclusive for the tedious Dr Smart. That said, I can vouch that he is a good representative mash-up of many male academics that I have known and not loved. There were small part of this book I did enjoy though. I liked pages 103 - 105. They were very clever indeed so well done for that. Also I laughed out loud when Magnus describes the film "Love Actually" as being like watching a really long building society advertisement hahahahaha! I've given the book a 1/5 mark based on the last gag alone... A flat-out triumph of structure, style, shifting narrative voices, rhythm and language. A pitch-perfect technical masterpiece. Split into three components—the beginning, the middle and the end—the story moves between four perspectives: daughter, son, father, mother. Each section describes various events around a holiday trip to Norwich and the arrival of Amber, a charismatic drifter who changes her behaviour to accommodate each person. A very tight, free indirect style* is deployed to bring the A flat-out triumph of structure, style, shifting narrative voices, rhythm and language. A very tight, free indirect style* is deployed to bring the third person narrator as close to each character as possible, from Astrid (sulky teenager daughter) and her show-off vocab, Magnus (sulky teenage son) and his mathematical attempts to work through grief, Michael (philandering father) and his embarrassing poetic endeavours, and Eva (writer mother) and her resigned melancholy, her cosy middle-England spirit. Each voice is rendered with tonal precision and demonstrates a mastery instructional to all writers. Amber is the central catalyst of the book (little portions between each section are devoted to her voice, or what is assumed to be her voice) the one trigger that sends the story and characters into strange spirals, while their mundane domestic dramas continue undisturbed. She steps into the novel as an unrestrained, truly free individual and compromises the stifling repression rippling at the heart of this typical family. The technique is very close to Sorrentinos Aberration of Starlight, another complete triumph of structure and style. If you care about truly spectacular writing and appreciate a writer successfully spinning more plates than is frankly human, The Accidental will knock you flat on your ass, as it did me. Genius. — * The best definition of this can be found in James Woods How Fiction Works... Jan 03, 2010 Erin I don't relish giving a book one star, but The Accidental was the rare book that I found so unreadable that I couldn't even finish it. The writing style was very affected and intentionally obtuse, making the book unpleasant and difficult to read. The characters were whiny and self-involved beyond all reason. There were huge logic gaps (such as why Amber was allowed to hang about the house, uninvited and unknown to all of them- hello. and pithy observations. Ugh. I struggled and struggled with I don't relish giving a book one star, but The Accidental was the rare book that I found so unreadable that I couldn't even finish it. I struggled and struggled with this one, because I really like to see even the bad books through to the end. In this case, I decided life is simply too short. Oh well... This started off really good. But it just died on me. I found it got really boring. Did not finish The stranger who arrives in mysterious circumstances and turns a household on its ear may be familiar literary trope, but Ali Smith does it with such panache and vivacity, the familiar becomes fresh and revelatory. The Accidental shows the rusted and broken bits inside the moral compass of the Smarts, a bourgeois British family of four on summer holiday in a drab northern England town. Eve Smart is mid-list novelist and mother of 17-year-old Magnus and 12-year-old Astrid. Michael Smart, husband The stranger who arrives in mysterious circumstances and turns a household on its ear may be familiar literary trope, but Ali Smith does it with such panache and vivacity, the familiar becomes fresh and revelatory. Michael Smart, husband and step-father, is a philandering professor of English. It becomes all to easy to detest the Smart mère et père, for they are eye-rollingly entitled and pretentious, but this novel is about the kids. And it is in their voices that Smith's prose shines like a beacon. Teen-aged Magnus has retreated deep within himself, grappling with his complicity in the tragic death of a classmate and the particular bewilderment of a privileged young man who has everything but the attention of his parents. Flitting about like a moth is young Astrid, a budding videographer and keen observer of the arbitrary and contrary unfolding around her. Astrid is the novel's strongest voice, the character I could have spent all of my time with, for her innocence is genuine, her clear heart a clean space in which to linger, after being sullied in the moral decrepitude of her ineffectual parents. And what of that mysterious stranger? The enigmatic Amber arrives Chez Smart and moves in, yet no one in the family is quite up to admitting they have no idea who she is or how she found them. Her past feels irrelevant to the story, yet the stream-of-consciousness snippets indicate she was born in a movie theatre called Alhambra some three decades prior. She seems conjured out of legend, an imp, a sprite, beautiful and irreverent and frankly, rather mean-spirited and of questionable moral judgment. She drills under the skin of each family member, dragging them out of their emotional malaise and entrancing each before blowing the nuclear family to bits, figuratively speaking. Far be it from me, however, to give anything away. Ali Smith plays with form here, as one would expect, but I would hazard a guess that this is one of her more traditional narrative structures. Points of view shift here and there, with meltdown riffs that shake the reader up before moving her along. I loved this book. Truly whetted my literary appetite for more Ali Smith... This was phenomenal. Skillfully structured, beautifully written, with a story that kept me flipping pages past my bedtime. The story is told from four different POVs with a stream of consciousness bent and occasional experimental flare, as in the segment narrated in poetry by the serially philandering husband/step-father/English professor, Michael. Twelve-year-old Astrids imaginative flights of fancy, pre-teen jargon and maybe hints of ADD were an amusing ride (dont be alarmed, its not all This was phenomenal. Twelve-year-old Astrids imaginative flights of fancy, pre-teen jargon and maybe hints of ADD were an amusing ride (dont be alarmed, its not all like this. Wife/mother and blocked writer Eve grapples with the memory and problems of her own family of origin while she struggles with professional challenges in a project that consists of the “Genuine article” series (“autobiotruefictinterviews”) although the articles are actually quite speculative. Magnuss teenage angst has legitimate foundations; hes been involved in a prank gone very wrong and is suffering the torments of hellish guilt until an intervention by the character who is the engine of the story. Amber, the charismatic, unpredictable, and mysterious visitor, insinuates herself into the household while they are on holiday and changes all their perceptions and lives. Ambers (possible) story is told in occasional short interstitial pages that create a mythology that we are offered to take or leave as a history of the interloper. Eve seems to be the only one who “gets” Amber and is the one who finally ejects her, but not without repercussions. Film, photography and media create a motif. From Astrids juvenile film projects to various discussions about movies, TV programming, and porn sites, and the story of Ambers conception in a cinema, the preservation of a fleeting moment in photographs or film illuminates themes such as the difference between “reality, ” whatever that is, and pictures and stories, and does it even matter? What is known, and how, and by whom? There were some lovely bits of writing. From Eves contemplation of her daughters growing up: Poised before her own adulthood like a young deer before the head of a rose. (Deer love to eat roses. Standing there on her too-thin legs, innocent, unsturdy, totally unaware that the future had its gunsight trained directly on her. Dark round the eyes. Kicky and impatient, blind as a kitten stupefied by all the knowing and the not-knowing. Everything about her asked for attention, the way she walked across a room or a shop or across the forecourt of a petrol station, leaning into the air in front of her as if about to lose her balance, mutely demanding that someone. Eve, who else? – put out the flat of her hand and let Astrid push her forehead or her shoulder into it. And Michael considering the power of phrases that become clichés simply because they are so powerful, as he is gobsmacked by his attraction to Amber: Moth plus flame. Right here, right now, Michael had seen and felt and heard the precise drama of the moment when that moth wing singed and went brittle in the candle. He had felt the whole substantial impact of individual moth hitting individual table. He had felt these things, yes, more acutely, more truly, more surprisedly, than he had maybe felt anything since he was, oh, he didnt know, a fresh-faced (cliché. twelve-year-old, and not a twelve-year-old like that one over there either, he thought to himself, casting a glance over the top of the bland combed hair of the head of Eves curmudgeonly girl, not a twelve-year-old now, when nothing was new and everything was so already known and been and done and postmodern-t-shirt-regurgitated, no, he meant a back-then tank-topped twelve-year-old at the side of deep water, laying deep in the long grass and the noise of summer, the sweet core-line of a piece of the grass in his mouth, when for the first time he saw two insects, two flies of some kind, long-legged waterflies, metonym you might say for the whole of summer, and the one was on the others back in a sheer frenzy of what Michael knew for sure, for the first time, the most innocent time, was entry. Michael goes on to analyze various words in his ruminations: “Entry! It was a wonderful word. ” Sheer: “as a word it was calmed and smoothed yet still so bloody boyishly enthusiastic. ” This book is a word-lovers dream. The familys encounter with Amber, plus some issues that had been simmering before they met her, spark a complete reordering of their thinking and their lives. The last chapter belongs to Eve and is pretty much perfect... The accidental-on-purpose? Everything is meant. Alhambra In music, an accidental is an unexpected note that is not part of the scale associated with the song's key or mode. So, for instance, if a song is written in the key of D major, an F (which is not in the key of D major) would be an accidental. Enter the allegorical figure, the Trickster of mythological renown, to F-up (sorry. and in the process, freshen up. the drone of life. How to describe the Smart family. especially the The accidental-on-purpose? Everything is meant. How to describe the Smart family. especially the parents, Eve, a successful writer of popular fiction, and second-husband-Michael, an English professor, on holiday in a dreary, dusty summer cottage in an unfashionable resort town. In the doldrums. Derelict of parental and professional duty? Neither parent is engaged in their children's lives, to the children's detriment. and both parents are engaged in unethical and legally questionable activities and in their respective work lives. Michael: a depraved dick-o-centric? He has seduced dozens of his own students. Eve: deliberately blind-deaf-and-dumb? She is oblivious to her children's distress and ignores her husband's unfaithfulness. Dead" Not yet, but not fully alive either. They are about to be out-smarted, for sure. Their two children from Eve's first marriage, Astrid (12) and Magnus (16) are still alive, literally and figuratively, but barely hanging on. (Eve ditched first husband Adam, for his lack of ambition. Smith's characterization of the children, primarily through first-person narratives, is the best part of the book, just spot-on. Other reviews have especially noted the development of Astrid, but I was also intrigued with Magnus, who has the serious moral conscience his parents seem to lack, which ultimately takes him in an interesting direction at the end of the novel. Eve is reasonably well characterized though I wished for more. Michael seems to be deliberately clichéd. the lecherous professor. he is even aware that he is living a cliché. but develops a bit more later in the book. The mysterious fifth character. or fifth column. is "Amber MacDonald" aka "Alhambra. or, later, mysteriously, Catherine Masson. We meet her mainly through her increasingly outrageous, even criminal, encounters with each family member. The ironic tension becomes very uncomfortable, as it clear early on (but only to the reader) that she's a highly skilled con artist who regards Eve and Michael as disgustingly easy marks. She even claims to be descended directly from the MacDonalds of Glencoe* and quotes in Gaelic, then translates, a saying: Be sure you know who you are letting into your home before you let them in. a warning the Smarts ignore. Even her names. Amber (Yellow) and her birth name, Alhambra (Red) after an old local theatre where she was supposedly conceived, are warning lights. But all the hints Amber throws out go right over the self-absorbed parents' heads. If you, or a close friend or relative, have ever been conned by a skilled con artist in any significant way, you know that the sense of betrayal and violation can be extreme, the trauma not easily brushed aside. If you do come to regard it as a blessing in disguise, and even forgive its perpetrator, that is likely a deliberate choice you make to overcome the damage done. This is where I think Smith's sparkling story. which I enjoyed immensely. did not work for me as a story about the realities of being conned, a story of real violation and its aftermath. The experience of trauma was barely explored or acknowledged. But it did work for me to regard Amber as an allegorical figure representing the primal creative element of chance, disruption, even disaster. the Trickster is not benign. that somehow invites the spark of life, daring, and even true courage, that make art and life and transformation possible. Ultimately, it's a surprisingly hopeful book. And despite the discomfort (or maybe, in part, because of it) it was such a pleasure to read. Having read four books by Ali Smith, I have had a strong sense that she may be secretly Roman Catholic, or was raised Catholic. The only thing I've been able to find out by online research is that she attended St. Joseph's Roman Catholic Primary School (Wikipedia. That would have been enough to form her moral conscience and sense of social justice for the poor in that distinctly Catholic way that I find expressed in so many subtle ways throughout her books (though her characters do not usually follow traditional Catholic sexual mores. and in the intriguing appearance of mysterious figures bringing grace or punishment or inspiration, setting captives free. human characters, but on some level resembling angels, demons, or, in Spring, explicitly, Saint Brigid. or a more ancient figure known as Saint Brigid in Christian times. Yet her novels that I have read are not speculative fiction; they are firmly set in the real world. The Massacre of Glencoe in the Highlands of Scotland on 13 February 1692, following the Jacobite uprising of 1689-92. An estimated 30 members and associates of Clan MacDonald of Glencoe were slaughtered by government forces who had accepted MacDonald hospitality; after the MacDonalds provided them with dinner and beds to sleep in, they arose in the night and murdered their hosts; only a few escaped... The Accidental takes a well-worn premise – in which the appearance of an enigmatic newcomer upsets the balance of a largely dissatisfied upper-middle-class family – and filters it through that inimitable freeform Ali Smith style. The characters are knowing cliches. Eve is a kind-of-successful author with writer's block. Michael is a professor who's sleeping with, apparently, all his female students. Moody teenage son Magnus is involved in an online bullying scandal that's resulted in a The Accidental takes a well-worn premise – in which the appearance of an enigmatic newcomer upsets the balance of a largely dissatisfied upper-middle-class family – and filters it through that inimitable freeform Ali Smith style. Moody teenage son Magnus is involved in an online bullying scandal that's resulted in a classmate's suicide. 12-year-old Astrid is an example of the precocious, inquisitive girl-child character who seems to appear in all Smith's novels (at least, all four I've read so far. Interloper Amber, meanwhile, is one of my least favourite fictional tropes: the ~incredibly charismatic~ and non-specifically beautiful stranger who has a bewitching, destabilising, life-altering, etc. effect on everyone she meets, regardless of gender, sexuality, age, etc. Perhaps the trope works better in film, when you can see the person who's meant to have this incredible, unlikely impact; on the page, Amber's appeal was a mystery to me. She's horrendous to pretty much everyone. But then, pretty much everyone is horrendous to begin with. This story doesn't really (well, I think) do anything subversive with its subject matter, and maybe that's one way in which it actually is subversive, because you don't exactly expect Smith to let the plot run its course in the usual way. There's playful wit, language-bending and experimentation with form, and at least one Chekhov's gun that doesn't go off, but I was disappointed that the story was neither as disruptive as I wanted it to be nor as conclusive as I, then, hoped it would be. I enjoyed this more than There but for the and Autumn; less than How to be both. I'm fond of Smith's writing, but I can't seem to fall in love with any of her books quite as I would like to. TinyLetter, Twitter, Instagram, Tumblr... May 28, 2008 Adra Cole Benjamin writers and poets Recommended to Adra by: New York Times book list - go fig! This is a must-read if you are a writer/poet (or poet who loves fiction. It's definitely a writer's book. I can see why many people would dislike it, but it's pure genius. JUST BRILLANT! If you understand lit-heads, poetry meter, characterization, plot lines, emotions, word choice, undercurrent and themes. Well, let's just say you're sure to enjoy and appreciate this novel and its style. I love how it's broken up into 3 sections (the beginning, the middle and the end. I love how the chapters This is a must-read if you are a writer/poet (or poet who loves fiction. I love how the chapters start, as if they are 1/2 of a missing thought. I love everything about this book, although I'll be the first to admit sometimes Ali Smith tries a bit too hard to be what I'd call "elusively intellectual" in her writing style. But I can admire the effort and her imagination, definitely. One of the most creative and innovative stories I've ever read with fascinating and genuine characters... Aug 03, 2010 K. D. Absolutely Recommended to K. by: 1001 Books You Must Read Before You Die (2010) This novel was shortlisted in the 2005 Booker. This and Kazuo Ishiguro's Never Let Me Go lost to John Banville's The Sea. I can't believe it! Compared to "The Sea" this book's storytelling is very innovative. Brilliantly fresh. My first Ali Smith and I thought I was reading the 21st century equivalent of my favorite James Joyce. The first half is alienating because it basically uses stream-of-consciousness with the main characters having their own POVs per chapter and Smith used terms and events This novel was shortlisted in the 2005 Booker. The first half is alienating because it basically uses stream-of-consciousness with the main characters having their own POVs per chapter and Smith used terms and events that are basically known probably to people in England except when she used contemporary world-known lines from movies, e. g. Love Actually" or songs, e. g., Streisand's "Love, soft as an easy chair. Then I saw myself singing while trying to figure out what was the book was trying to tell me. But I love it for its newness. I mean, Smith went everywhere with her narration especially in the first part, The Beginning. Then the plot started to take shape in the second part, The Middle before she finally tied all the loose ends and made herself clear in the last part called The End. On the criticism that the girl Amber's role seemed not to make sense, I think her role was just to let the family members realize their true selves. The Smart family, composed of Michael, the father, Eve the mother, Magnus, the son and the daughter Astrid, is a typical Western dysfuntional family. In the beginning of the book, the young girl Astrid brings with her, anywhere she goes, a camera and she has this habit of capturing sunrises and sundowns. My take on this is that Astrid tries to filter what she sees through her camera because it is through the lens where she can figure out things better. It's kind of metaphor and I loved it. One day, she finds a beautiful letter that her father wrote to her mother when they were still courting each other. This seems to have made her realize that their family was once a happy one. When the father was not yet having extra-marital affairs with his students, the son hasn't been the cause of his classmate suicide and the mother hasn't lost touch of the reality in her life. The reason why I said this is that towards the end when Astrid kisses her mother, Eve was moved beyond believe by the kiss. It reminded me that we sometimes all get to busy with our everyday tasks and we forget kissing and hugging our loved ones. This is kind of a cliche but true. My favorite character is of course Astrid. She is now one of the fictional characters that I will remember for a long time or maybe remember forever. Smith was able to beautifully capture the eccentricities and intensity of a 12-y/o lost character. I will be reading more novels by Ali Smith for sure. Same goes for Kazuo Ishiguro: I'm currently reading my 7th novel written by him. But not for John Banville. After I read his "The Sea. I decided not to pick another one by him. This is one of those cases when I don't agree with the Booker jurors... I think I can safely say that Ali Smith is one of my favourite authors. This is another great one from the Scottish supreme. Once again Smith adopts her trademark "fuck the rules" style of prose, disjointed and stilted and basically all over the place. Her prose is probably why I love her so much. It's so thoroughly unique and enjoyable. Even though the plot of this once isn't her best it's still highly readable. Ali Smith is a god among us. Apr 01, 2008 David The Accidental may claim the record for time spent in my reading queue - I bought it over five years ago, and finally got around to reading it this weekend. When I bought it, it had already generated quite a buzz - nominated (unsuccessfully) for the Booker prize, winning the Whitbread. I wasn't sure what to expect. AS I was reading it, I thought I would end up giving it 4 stars, but in the end I really couldn't justify a fourth star. Which already tells you something about Ali Smith - she is (in The Accidental may claim the record for time spent in my reading queue - I bought it over five years ago, and finally got around to reading it this weekend. Which already tells you something about Ali Smith - she is (in this book, at any rate) the kind of writer who can be locally dazzling, but is less impressive when you step back to do an overall assessment. Most of "The Accidental" was fun to read, at times ridiculously so. there are parts that are pure brilliance in action. Unfortunately, despite Smith's intelligence and impressive writing ability, the book's appealing qualities and scattered brilliant stretches don't fuse successfully to make a coherent whole. The strongest aspect of The Accidental is the writing, specifically Smith's ability to cycle through the internal voices of the five main characters and pretty much nail each one. The sections written from inside the head of 12-year old Astrid are particularly impressive. Plotting, on the other hand, is considerably weaker. AT its core, the plot is just a variation of standard trope #17: arrival of a mysterious stranger spurs the other protagonists to self-examination and growth. In Smith's execution, the mysterious stranger is thirty-something Amber, who shows up one summer evening and insinuates herself into the bosom of the uptight, middle class Smart family: philandering English professor Michael, his wife Eve, a (blocked) writer, 12-year old Astrid and 17-year old Magnus. Before Amber's arrival, each of the family members is fixated on his/her own problems and their self-absorption precludes any genuine communication. To say that Amber stirs things up would be an understatement - she intuits each character's weak point and uses it to ingratiate herself with, and eventually gain power over, them. Plausibility is not a high priority for Smith, so that "The Accidental" demands more than its fair share of willing suspension of disbelief. Readers who expect neat resolution are likely to find the end of The Accidental unsatisfying - I know I did. But dwelling on perceived plot deficiencies misses the point. The beauty of "The Accidental" lies in the brilliance, exuberance, and genuine wit with which Ali Smith presents the unfolding events. The story is divided into a "beginning. middle" and "end. in each section, we hear from each of the five characters in turn. Brilliantly, Smith gives each character a characteristic style: Eve is interviewed Q&A-style, like her books; Astrid is stream-of-consciousness; while Michael holds forth as if he's lecturing to a hall of adoring freshmen (until his infatuation causes him to break, hilariously, into verse. Smith's ability to get the register exactly right for both teenagers is, quite simply, awesome, as is the mixture of compassion and humour with which she presents the inner monolog of Marcus, the most genuinely troubled member of the Smart family. Amber's interior monologs, in contrast, are less successful - Amber's character remains faintly murky throughout. Obviously, to Smith she's just the figure that kick-starts the action. As a reader I was a little disappointed by the failure to develop Amber's character in greater depth. Taking into account the brilliance of Smith's writing, and the exuberance and enthusiasm that permeate the book, I think I've argued myself back up to a 4-star rating. There's a lot of virtuosity on display in "The Accidental. But it's tempered with compassion - I never felt it was just virtuosity for its own sake. Though it's not perfect by any means, The Accidental" has brilliance to spare and - most importantly - it's a book with heart... *July 2018 Bumping this rating up to four stars because I am still thinking about it a month later. Sometimes its best to sit on your feelings for a bit. This is really hard book to rate. I really enjoyed the writing style and the way the story was told. Ali Smiths writing style was a little hard to get into at first. She writes in a stream of consciousness style and doesnt use and punctuation to denote speech. But once I was used to it, it was easy to read. I never got confused as to who *July 2018 Bumping this rating up to four stars because I am still thinking about it a month later. I never got confused as to who was speaking. I loved how real and not perfect the characters were. They fucked up and just needed to communicate with each other. Its nice to read about characters who get things wrong and who go through shit. But I did get a little confused at some points. The whole book is about story telling and it gets quite metaphorical at times. But as a whole it is quite an interesting read with many layers to it. I want to check out more by this author to see how her stories and storytelling differs. So Ill pick up some more of her work soon... Jul 03, 2014 J Here is a literary accident: the almost universal exclusion of female writers from a coherent popular-culture postmodernist ideal. Here is Listverse's Top 10 Works of Postmodern Literature: marvel at the readily bandied about names of Pynchon, DeLillo, and Foster Wallace, however the lack of any female writers on the list is perhaps a bigger tell. In the same way that the Woolf -renaissance happened years after her work was published, perhaps it is only in retrospect that critics can pick out Here is a literary accident: the almost universal exclusion of female writers from a coherent popular-culture postmodernist ideal. In the same way that the Woolf -renaissance happened years after her work was published, perhaps it is only in retrospect that critics can pick out the undervalued, the buried and the silenced. It comes to no surprise that Ali Smith is famous but, paradoxically, at the same time not; her reputation in Scotland is unquestionably secured within the small country's surprisingly rewarding list of postmodernist writers, carving a heritage with contemporaries like Gray and Kelman, however I never get the feeling that she has quite become a global phenomenon herself yet? Perhaps I am wrong, and somebody could enlighten me as to her reputation outside of my country - however, and more importantly, Smith deserves to be read and known because her writing is the very embodiment of the postmodern aesthetic. Move over, America. The Accidental is shockingly good, and an absolute pleasure to get lost in: its postmodernity is undoubtedly contemporary yet never feels too contrived. Smith, like Kelman, is a master of understanding dialect, exquisitely examining the various tics and modes of speaking which come together to form identities of real people. Thus, The Accidental is a novel which focuses on the four intertwined narratives of a middle-class family renting a house in Norfolk for the Summer, split into sections embodying the free-indirect-discouse of each family member. Each member of the Smart family has their own linguistic production, reminiscent of Joyce's chaptered style in Ulysses: Michael - the English Literature university professor - waxes lyrically like the texts he teaches; Eve - the pseudo-writer - constantly interviews herself in the style of her 'novels' Magnus - the teenager - sees the world as a sexual blend of scientific equations, and Astrid - the youngest - is desperate to prove the existence of things through their documentation on her camera. Through the multi-narrative, events that befall the family are each represented a number of different times from slightly refracted angles, with an absolute light precision of prose and understanding of human perception, complex but never muddled. The book is a remarkably oral book, a meditation not on things per se, but rather the way events and objects are perceived and represented, thus perhaps it is not surprising that The Accidental 's focus on image [and cinema] hints at a twenty-first century concern carried along by the modernist anxieties of writers like John Dos Passos. Smith's prose is both at once constructive and destructive, wherein her semantic layers constantly threaten to become violent at the very turn and touch of the page. There is always the danger of the book losing shape with each section just about melting into each other, a metaphor for the frayed, domestic seams which barely hold together the Smart family. 'She had entered him like he was water. Like he was a dictionary and she was a word he hadnt known was in him. Or she had entered him more simply, like he was a door and she opened him, leaving him standing ajar as she walked straight in. Underneath the violence of the diction lies a strangeness which Smith exploits into the 'accidental' premise of the novel: the suicide of Magnus' classmate; Astrid's slightly skewed way of thinking; the death of domestic sanctity [of broken plates, burning moths, and uninvited guests] all paint a stifling setting to follow for the majority of the novel. The quintessential Britishness of the holiday home is turned on its head and intruded upon - which is perhaps why when the novel finally leaves the Norfolk home, for the final third, The Accidental seems to lose its experimental momentum. The claustrophobic setting and narration opens out onto a world which cannot be so readily contained, where Magnus' idea of words as meaningless which has propelled the novel so far so good [or as Astrid's observance of a furniture warehouse name, Sofa So Good] seems unbelievable outside of the novel's primary setting. Something must be said too of the novel's curious narrative structure, divided into 'the beginning. the middle' and 'the end' but never indicative of such divided boundaries: instead the book constantly travels back and forth, examining the myriad of possibilities and connections such as the causal relationship between this and that, what thens and if sos. Words are meaningless, Smith argues, however through deconstructing their significance she arranges them on the page in order to give or take meaning, where the spaces between words [or the lack of a specific punctuation] reinforces the unconscious ramifications of everyday feelings. Words are no accidents, the novel reveals. At its heart, The Accidental asks: what is communication? How does a photograph be? When does an image start? Where is the callous email which Magnus sends with fatal consequences? What is a cliché, and why does Michael, himself a typical philandering cliché, upon seeing a moth literally drawn to and then burned by a flame, experience such an epiphany with seeing the real image behind the facade of mundane speech? Smith tackles without holding back, and indeed sometimes rather too heavy-handedly, the various permeations of the age-old debate between reality and artifice, taking shape throughout the novel as memories, holograms of the past, present and future selves and, of course, via photos and film: all the hermeneutic interpretations of an instant. The visibility of life in the novel is never accidental, but like Astrid's seemingly random photos, always a motivated force. Thus Amber's almost trope-like appearance, which underpins the novel's plot like Hilda's role from The Master Builder is perhaps at first mystifyingly opaque whilst her lazy integration within the family suspends disbelief. The magnetism which this mysterious stranger holds over everybody is mildly irritating, and defies explanation until the very conclusion when her presence - though never outright explained - is highly suggestive as never having been coincidental in the first place. It is no surprise then that Amber, as the only character who does not have a story in this story, is supposed to embody the very entirety of twentieth century cinema, a character which seems to come straight from an Angela Carter tale; her conception at the Palais Du Luxe cinema surreally defines her as a homage to the silver screen reinforcing her cinematic traits as alluring, superficial and transitory, at once therapeutic but with great potential to be disconcerting and - like films - even terrifying. And yet it is in Amber, the spiritual imago, and her delayed presence [as if there is a photographic delay between her intrusion and its consequences] which forces the family to deal with their past once they return from the supposed bliss of Norfolk. The only noise is the ominous bleeping of the messages left on their home-phone. Through Amber, their delayed lives are changed: through Amber, new languages must be wrought in order to continue on the various expressions of life in the present. Although The Accidental 's most fruitful theme is this ongoing but never quite fully satisfying discussion between the imagined and the real, the novel is indeed multifarious, drawing towards it musings about art, history, childhood and domesticity but always with an unfiltered, sharp focus on the lens of contemporary existence. In an age of electronic false images, what does it mean to exist alongside such visions, and where can truth be found? Often humorous and witty The Accidental is equally at times bleakly foreboding underneath Smith's sharp style; such is the spirit of the unabashed optimism which leaks onto the present-day dream. Smith takes apart that dream one word, one space between words, at at time and reorders it into something not so dissimilar to the real life: the novel is a profound and beguiling take on postmodern unease, one that never fails to hit its mark with flair... May 03, 2015 Mala "Eves head was full of sentences which shed been practising overnight. Who is to say what authenticity is? Who is to say who owns imagination? Who is to say that my versions, my stories of these individuals afterlives, are less true than anyone elses? She was going to answer every question with a question. This would let her answers seem open, let her seem willing to be discursive, at the same time as be rhetorically cunningly closed. What is it with Ali Smith? I want to hold her shoulders "Eves head was full of sentences which shed been practising overnight. What is it with Ali Smith? I want to hold her shoulders and give her a good shake, twice. How she fooled me! How she wrote this very clever book! Ostensibly The Accidental is a multiple pov examination of a British family stuck in a rural summerhouse in Norfolk. The arrival of a stranger (view spoiler) a con woman (hide spoiler) changes the family dynamics in that everyone tries to project their needs onto this person & boy (view spoiler) how she manipulates that! hide spoiler) It's a revealing detail that the daughter Astrid's first impressions of Amber are the truthful ones, later you see different family members seeing her as "angelic. beautiful. so on. This family of four are all within solipsistic bubbles of their own; no one having a clue to the other's suffering/problems. Perhaps they needed this stranger for a reality check, a shock to their system. And a shock they do get after which The Lady Vanishes! This is the slim plot which Smith delivers with panache & rich stylistic variety but her brilliance here lies in how she is spinning quite a different yarn all the while, right under the reader's nose! view spoiler) If Amber's sudden entry & stay with the Smarts requires willing suspension of disbelief, it is because it's indeed a fabrication! If the Smarts are like a bunch of cliches: a randy academic undergoing a mid-life crisis, a self-absorbed, negligent writer-mother-wife, an angsty teen, a surly & confused adolescent; they are. (hide spoiler) The narrative's heavy & repeated emphasis on the hermetic world of cinema— it's an artificial construct, a world within a world & the plot mirrors that, its constant preoccupation with images/photographs & their reality (the infamous human pyramid pic from the Iraq invasion of 2003 finds a place here) the ephemerality of the moment behind them, its interwoven motifs of light & darkness through which the characters fumble towards a clear-seeing perspective, all stress It is about actually seeing, being there. Are the readers alert enough to take the hint to pay attention to the artifice? The Accidental explores an interplay of fiction & reality— the Amber chapters/interstices are a clever play on the kind of Genuine series of books Eve Smart has built her reputation on: Shall I drop a hint? Think of Uncle Balt in The Tunnel. (view spoiler) The entire Smart family & their experience is a fabrication of a character called Eve because the End gives a spin to everything that came before— Amber has morphed into Eve— a fictional character creating other fictional characters—talk about meta! The twist ending delivers a major po-mo punch. The other approach is to believe that it all actually happened, that despite melding truth & fiction for a living; Eve Smart couldn't see through the totally made up surface of Amber/Alhambra's persona & that in the end, Amber used another pseudonym, this time around, she called herself Eve & that the American family was in for a Smart-like misadventure— they were gonna lose all the doorknobs, carpets. all their pretty horses too! hide spoiler) This is my second Ali Smith & there are parallels with my first read, How to be both. Both have many things in common: adolescent girl having troubles at school, precocious teen, busy mother, absentee father, a stranger whose arrival sets things moving, a stocktaking of old memories, events & their lingering influences, lesbian themes, engagement with new technologies, plenty of references to songs & movies. a focus on eyes & cameras. Ali Smith understands the adolescent mind extremely well & her adolescent characters are far more prescient & grounded than her mature ones: Astrid cant believe, for example, that her mother has just gone off round the world etc. like she has. It is like the opposite of actually being there. It is substandard parenting. It will have consequences. It is substandard responsibility. Thing is, I got most of her books & would like to completionize them but I don't want more of the same. Ali Smith is a gay writer & no problem with that but it gets on my nerves the way her straight female characters respond to overtures from another female— as if a world of (better) unexplored possibilities opens up before them! As if being gay was a lifestyle choice & not an embedded fact of one's biological makeup. Other than that, she is cool... Feb 27, 2009 Carrie it was ok The Accidental is a book with a lot of literary buzz in Britain. It is a finalist for the Whitbread Award and for the Booker. I had heard raves about it on Bookslut, too, so I decided to pick up a copy. I was, however, disappointed. I can understand why The Accidental is getting a lot of noise. Its a very "writerly" book and very good in that sense. It's written in a stream of consciousness type style, with every chapter representing the internal thoughts of one of the four main characters - The Accidental is a book with a lot of literary buzz in Britain. It's written in a stream of consciousness type style, with every chapter representing the internal thoughts of one of the four main characters - Astrid, Magnus, Eve or Michael. Eve is a writer, Astrid and Magnus are her children, and Michael her husband/their stepfather. Smith is especially good at writing the teenagers - it seems that she has absolutely captured the exploration and angst that adolescents go through. The parents are less interesting, because they seem more cliched. Michael is a professor who sleeps with all his students, Eve a writer who is unhappy with her childhood. Both are characters we have seen before (seriously, literary fiction would lead you to believe that every professor sleeps with his student, which really was not the case at either of the institutes of higher learning in which I attended. The children's voice was more fresh to me, and thus their chapters more interesting. What really made me lose interest in the book, however, was the fact that nothing much happened. The plot, as promised by the book jacket, is that a mysterious stranger shows up at their summer house, and changes their lives forever. Could be promising, but in fact not much happens, and we are left unsure as to whether Amber, the stranger, ever really existed at all. The thing, is, I am not such a fan of artsy plotless writing exercise type books. I can get over that type of writing if there is an interesting story or interesting character (say, Mrs. Dalloway) to drag me along - which is why I enjoyed the children's chapters more than the adults. This book didn't have enough other stuff for me to really enjoy it. I have been picking it up and putting it down since April - not a ringing endorsement for 306 page book with big print. I would say that if you like stream of consciousness/artsy writing you may enjoy this book. It is definitely well written in that style. If you prefer plot and characterization to writing skill, you may be left cold. *And worse, when I went back to Bookslut and re-read the review I realized that if I had paid as much attention the site's reviews as I do to the blog, I would never have bought it, damn it. Bad memory + impulse book-buying = bad decisions by yours truly. 4. 5 stars Ali Smith has yet to disappoint me and Im so thrilled about that! The Accidental was an absolute joy to read, and with the exception of one tiny chapter (I had the same issue with Hotel World) it was perfection. The chapter in question was written in verse and I dont get on with poetry... The Accidental is the bizarre story of a young woman who wanders into a familys holiday home and insinuates her way into their lives. Each member of the family thinks shes there because of one of 4. Each member of the family thinks shes there because of one of the others, but in fact, shes a stranger... Her plots meander their way through the book but its the characters who make it really shine. Rarely do I read such deep character explorations, Smith examines every minute detail of their lives that you feel like a part of the family. Its a very intense reading experience. I wouldnt recommend Ali Smith for people who arent a fan of stream-of-consciousness, but if youre willing to give it a go and are looking for something truly vital that will pull you in, then definitely pick her up... Feb 13, 2010 Wanda I hesitate to write this review because so many people actually liked this book. I frankly found it deliberately obtuse, unaccessible, and pretentious. It was sort of like reading the post-modern philosophers who are so obscure and self-conscious that you wonder if THEY actually know what they are writing about. This was one of our book club choices and we really wanted to like it. The synopsis seemed intriguing, the reviews were glowing for the most part, and it looked like a relatively fast I hesitate to write this review because so many people actually liked this book. The synopsis seemed intriguing, the reviews were glowing for the most part, and it looked like a relatively fast read. I guess it will give us lots to talk about at book club – or perhaps someone will be able to convince us that we missed something. Now, if I did not have degrees in literature and was not actually something of an informed reader, I would have reacted like my husband, whose response at the second chapter was "Forget this, I don't have time to be bored stiff. But I do have a background in literature and poetry and enjoy words a lot. Nevertheless, this did nothing at all for me. The plot involved a pretty conventional situation – a young woman insinuates herself into a family that already has fissures and the family is left altered. Ok – could be interesting. But Ali Smith takes this rather derivative plot and turns the story into an exercise in literary cleverness. One lumbers from chapter to chapter in repetitive stream of consciousness, with a dearth of punctuation that quickly becomes tiresome. At first, I sort of enjoyed Astrids latency aged oppositional take on the world, but then pretty quickly got tired of her petulance. This is a book for folks who have an appetite for literary experimentation. If you liked Ulysses, you will like this. If you like guessing where dialogue begins and thought ends, you will love this. As for me, I think that punctuation was invented for a reason. Call me pedestrian. I also like some literary experimentation, for example I loved Shadow Tag by Louise Erdich. But Erdichs book drew me in inexorably and I watched in horror as a relationship imploded. It was a compelling and satisfying work and well worth putting the time into. This one was simply boring and annoying and it alienated me. I understand that Smith is a fine writer, and she certainly does have mastery over language, but the novel simply did not hang together and chapter after chapter jarred up against each other willy nilly. The characters are thin and not well developed. The book is a frustrating, self-conscious and self-indulgent show that I would have abandoned after the second chapter as well had it not been part of our book club list. I guess I should have known that it was going to be less than compelling reading when I read the London Times critic who called the novel “astringently intelligent. ” What the heck does that mean? If you have to ask, perhaps you should avoid this exercise in frustration, for that is what it was... Mar 20, 2015 Jimmy liked it If I said Ali Smith's book was formulaic, it wouldn't be a bad thing. Not necessarily. Beginning, middle, end. Formulaic as in formula, as in an equation. The two halves of the book open up, meet in the middle, a simple addition and/or subtraction. Accidental? Nothing is accidental but artificial? Yes. Again, not necessarily a bad thing. Artifice is the air of fiction, is the ground upon which cinemas are built. And the = sign, somewhere in there is the. and to both sides we'll have our If I said Ali Smith's book was formulaic, it wouldn't be a bad thing. And the = sign, somewhere in there is the. and to both sides we'll have our values. Let's say there is this car that's broken down. Then on the other side we must balance it out with another broken down car. But is it really, do we know? So many unknowns, like who is Amber? Let's call these unknowns, these mytsteries, let's call them x. Arbitrary (y not why. We need arbitrary values as a stake in the ground, as a way of judging our very real existences. If we come up with a variable, let's say Eve, then let's go ahead and add Adam to the other side of = to cancel her out, then we're following a tradition, a long line of mathematical prototypes. We'll know exactly what we're proving. We'll be halfway there. Or will we? Let's hope what we've set up, this equation, is not just in our heads, is actually saying something beyond these made up symbols. Let's just cross out everything now, strip all these variables we've erected down to nothing, variables that match on both sides of the. we can go ahead and cross those out, don't leave anything. Yes take even the doorknobs. Rip up the carpet... Oct 28, 2007 Robin I love Ali Smith. She's so inventive and irreverent. The Accidental sprang from a dream she had, and it's dreamlike. Smith often uses multiple perspectives to weave together a story. I happen to like this- and I find her really gifted at inhabiting different voices. Her other book, Hotel World, really knocked my socks off too. But the Accidental asks different questions (Hotel World was kind of a mystery about a girl who fell down an elevator shaft. Questions like: who are we and how do we end I love Ali Smith. Questions like: who are we and how do we end up as who we are and what is the power of fantasy... Nov 02, 2008 Tyler review of another edition Recommended to Tyler by: Lindsey Claeyssen Turns out the thirty year old Eggleston photo on the cover was my favorite thing about this book. Smith can certainly turn out some lovely prose, and couple it with unique approaches to fictional perspective, maybe along the lines of Virginia Woolf's flowery poeticism and narrative experiments. And there are plenty of interesting pieces of the puzzle here (I feel OK using this cliché since one of the book's characters is obsessed with the idea of clichéd language) but they never congeal into Turns out the thirty year old Eggleston photo on the cover was my favorite thing about this book. And there are plenty of interesting pieces of the puzzle here (I feel OK using this cliché since one of the book's characters is obsessed with the idea of clichéd language) but they never congeal into anything very satisfying, and the resolutions reached by her characters don't really feel earned. To use another cliché: this book's whole is less than the sum of its parts. Or something. It's a very showy kind of book, but I couldn't help feeling, upon finishing it, that all of its eloquence was a little shallow. Still, it earns an extra star in the rating because it can be a very pretty read... Do you recall those books that make your day (your week, your year) Those books that laugh at you from cover to cover without malice, reminding you that art is nothing but ludic, that the pleasure of the text (to borrow Barthess phrase) consists in blissfully and effortlessly enjoying both form and content? Those books that do you sooo good? Well, for example David Lodges novels have always done this to me. And now, Ive just delightfully discovered Ali Smiths Accidental, another one of Do you recall those books that make your day (your week, your year ☺) Those books that laugh at you from cover to cover without malice, reminding you that art is nothing but ludic, that the pleasure of the text (to borrow Barthess phrase) consists in blissfully and effortlessly enjoying both form and content? Those books that do you sooo good? Well, for example David Lodges novels have always done this to me. And now, Ive just delightfully discovered Ali Smiths Accidental, another one of those friendly-reading books that teases the reader without superficiality, that discloses its narrative techniques without becoming annoying, that challenges both the writing know-how and the oh-so-serious literary themes without trivializing them and, more important without intimidating the reader. A book that doesnt believe in complicated channels to deliver its message, although its message is far for simple. A postmodern book that doesnt let you forget it is postmodern, but that doesnt let you grow an inferiority complex because of it, either. In a way, it seems that Ali Smith succeeds in doing an impossible task – reinterpreting the postmodern novel itself (impossible, of course, because of the extremely broad sense of the term) in both form and content, i. e. by disguising and revealing repeatedly, until bringing the reader to (happy) confusion, structure, narrator and characters construction, themes development, sense of events, psychological interpretation and so on. In fact, The Accidental is, among other wondrous things, an impish parody of a possible postmodern parody of the 20th century psychological novel, digging mercilessly in the conscience of the four characters to mimic not only the conflict between generations, but also the conflict within generations: the adolescence crisis (Astrid and Magnus) and the mid-life crisis (Eve and Michael. In fact the book is so full of “crises” that it should have been an it-breaks-my-heart drama instead of an apparently careless and desecrating approaching to serious matters as family, happiness, guilt and finally truth: Who took the photograph? What did it show? Did it show that Michael had come home smelling, yet again, of someone else? Did it show that Magnus was a boy so like his father that Eve almost couldnt bear to sit in the same room with him? Did it show that Astrid was infuriating to Eve, that she deserved to have no father, just as Eve had done most of her life, and was lucky to still have a mother at all? So, meet the Smarts. First, Eve Smart, disappointed wife and mother, who speaks to herself in answer – question form (a habit taken from her "autobiotruefictinterviews”, a series of books she has been writing) who declares that she is kept motivated by Quantum (and what is Quantum if not the name of her running machine. who suffers the writers block and therefore lies on the floor doing nothing but pretends to work whenever a member of her family is in hearing distance and who will give up her family to reinvent herself as Amber in the end. Then meet Astrid and Magnus Smart, Eves children from a previous marriage, both either patronizing the adults world or reinventing theirs. Astrid, maybe the best and the most “serious” built character of the book (one review said the novel is Astrid) is a twelve-year old that studies with precocious detachment the meaning of the world and the word (isnt this just brilliant – to subtly remind the reader, without being insufferably pedantic, that the world he has entered is made of words. At the beginning of the novel she “tapes dawns” with her new camera and is obsessed with the word “substandard”. She takes a look around and meditates about “the greenness of the green”, she looks at the sky and imagines an asteroid hurtling towards earth and makes linguistic suppositions as deriving “hurtling” from “hurt”, or discovering that her name is only two-vowels from “asteroid” which is “a planet on steroids”. She is happy to wander with Amber and will be hurt by her depart, which she will put in the end into the category of “preternatural” the new word she is obsessed with. Magnus, on the other hand, is a bewildered and fairly ordinary teenager who hides his torment of contributing to the suicide of a colleague by shuttering himself from the outside world. Amber finds him trying to hang himself, saves him and will initiate him into sex and generally helps him to put things back in proportion. His epiphany about his own family can also be interpreted as a metaphor of the text: Everybody at this table is in broken pieces which wont go together, pieces which are nothing to do with each other, like they all come from different jigsaws, all muddled together into the one box by some assistant who couldnt care less in a charity shop or wherever the place is that old jigsaws go to die. Except jigsaws dont die. Finally, meet the funniest of all, mainly because he is most of the time involuntarily funny: Michael Smart, a university professor who has secretly slept with his students for ten years now, but only while they were his students and who suddenly feels his age: Ten years ago it had been romantic, inspiring, energizing (Harriet, Ilanna, that sweet page-boyed one whose name escaped him now but who still sent a card at Christmas. Five years ago it had been still good (for instance, Kirsty Anderson. Now Michael Smart, with twenty-year-old Philippa Knott jerking about, eyes open, on top of him on his office floor, was worried about his spine. His only discovery is that the clichés can be “earth-moving” and of course his life is made of such (more or less) earth-moving clichés – the husband that cheats his wife (and she knows it) the professor that sleeps with his young students (and he will be caught) the middle-aged man that ridiculously falls in love and begins to write love sonnets. One of them, mythologizing Ambers name, is priceless: Greek and Roman legend had it the piss of a wild lynx produced amber. She shone, hardened and perfected by heat and time. Cat urine everywhere became sublime! Even though the characters reveal by turn their thoughts in a free indirect style, the novel is not only a 3rd person quartet, but also a 1st person solo. Of course, in order to better muddy the waters, the “I” voice is an unidentified one, although she claims to be named Alhambra, from the name of the cinema where she was conceived. Who is Alhambra? Is she Amber, the deus-ex-machina hammer that dashes to pieces a counterfeit family? Is she Eve, the Amber-to-be? Or is she in fact a clever personification of the silver screen, the blank page, the block of marble, the white canvas that is, the carpet that has become alive and is mercilessly turning itself upside down in order to let it show all the knots of the characters personalities, of the narrative techniques, of the of the themes development and so on? And the most important question of all: is The Accidental speaking about accidents that influence our lives or is it speaking about the accidents that create art? After all, the novel (built by the way in that decisive form meant to cruelly remind us of our own predetermined limits The beginning – The middle – The end) ends with that beautiful promise (or serious warning) art has been waving in front of our eyes since the beginning of humanity: Im everything you ever dreamed... Jun 15, 2015 Robert NB - this was my first Ali Smith and I wrote this review back in 2009. Ali Smith is an author Ive read about – and it always seems that the reviews either a) praise her b) condone her so I was quite pleased to find out that ‘The Accidental made the the 1001 list. Im even more pleased at the fact that I am part of the former category as well. Yes, Im now a fan. The Smart family are dysfunctional. Astrid only views life through her handheld camera, her brother Magnus is suicidal, the half NB - this was my first Ali Smith and I wrote this review back in 2009. Astrid only views life through her handheld camera, her brother Magnus is suicidal, the half father, lecturer, Michael sleeps with his students and the mother, Eve is a best-selling author who superficial in all ways. Each chapter is about these protagonists and is told through their eyes. That is until Amber walks into their life. Slowly Amber changes each family member in a positive way but this is no cliched Benny and Joon story. Amber usually changes people by antagonising them (except for Magnus) and exposing their true selves. Towards the end Astrid is more aware of life, Magnus is filled with hope, Michael sees the emptiness of his life and Eve begins to be more genuine. Theres also the subplot about the history of cinema, this is presumably Ambers personal story. On screen this looks like some soap opera but in Smiths hands it is anything but. Her use of language is dazzling as puns and vivid imagery are lightly sprinkled on each page and her way of squeezing out philosophical thoughts and ideas as if they were throwaway is another masterful stroke. Most of all the character of the free thinking Amber is memorable creation and her thoughts and words, no matter how blunt and rough, leave an impression. It wouldnt be right to say that she is a Holden Caufield clone but they both have the same type of world-vision. The Accidental is one of those books that last in the memory for ages. Even as I type certain inflections and sentences are spinning round my head. Despite its artiness (one chapter is composed of poems) it is extremely accessible and Smith makes sure that the reader is not left in the dark as each individual chapter is closley linked with the last. I see The Accidental as a forerunner for the shape of novels to come. Something with a complicated facade and yet can be accepted by all... Feb 26, 2013 Steven Ali Smith is obviously a genius, a savant, a being whose prolific intelligence is a gift not merely to readers, but to humanity. Or at least, her editors seem to think so. (Why not tell a wondrously gifted writer when shes written too much? When the clever has become the clumsy, the prodigy pedantic. This ambitious novel begins by promising to examine one of the most fascinating subjects available to novels and those who love them: the interplay between “real life” and story. Such examination Ali Smith is obviously a genius, a savant, a being whose prolific intelligence is a gift not merely to readers, but to humanity. Such examination is executed in the form of a plot (action, characters, scenes) and a subplot (constant collages of quotes, bits of poetry, scenes out of books, plays, and possibly every film ever shot in English, from the silent era to Men in Black. The device is not without precedent, though it has rarely been asked to work so hard or so noisily. Where many writers interested in life-as-story will examine the issue through one insightful character—-Hamlet comes to mind—-and a few key scenes in which he addresses the topic as Hamlet does so famously, Smith gives us a story with no less than five characters, each a genius of one sort or another, and at least four of whom are plagued by minds that never, ever stop editing, analyzing, counting and quantifying, obsessively comparing their lives to stories, poems, mathematical theorems and scientific propositions of all kinds. This is not merely a stream of consciousness. It is, as the books Astrid Smart (age 13) might phrase it, the Amazon River of consciousness, the Mississippi-Nile-Congo-Ganges-Danube-Euphrates-Hudson-Rhine-Thames-Yangtze-Zambezi- and so on for two or three pages) a disconnected flow of tangent upon tangent and layer upon layer, until you are drowning in the metaphorical, wondering what happened to the action in the “real world” of the story. Yet, for all that, this novel about the interplay of real-life and story delivers more flash than substance. I read it as chapter upon chapter of clever wordplay and sleight of hand, but no answers to admittedly good questions about life-as-story-as-life. Smith gives the reader what her character Eve Smart gives interviewers at a book signing, which she attends intent on answering every question with a question, so she might appear open, while actually remaining rhetorically closed. In the end, to the questions of what role story plays in real life, Smith provides only more questions. Good questions, but questions only. As another character might put it, the “end result = nothing. No new insight. ” To be fair, Smith spins a good yarn, when she is not being overtly clever and overdosing on figurative possibilities and potential layers of meaning. It's good work: decent action and characters. And she asks good questions, as I said. Considering that art versus reality has fascinated philosophers and artists and literary critics at least since Aristotle, Smith can hardly be expected to somehow answer all the questions that might be asked on the subject. Moreover, this is a skeptical age. Aristotle and Plato are entirely unwelcome in fiction. Questions are permitted, but Moderns will hardly tolerate anything posing as answers. Still, “in the end, ” the book promises more than it delivers. Personally, I owe the author a debt. Because should I ever write another novel (or revise the over-built doorstop collecting dust in my laptop) I now have a new mission: no matter how smart I might be, I will not reveal it in fiction. Because reading The Accidental has convinced me that if a novel has me speculating about the impressive IQ or education of the writer, then the books own content has distracted me from the story itself. I want readers to be engaged. I want to be engaged. Its not about the writer. And thats not to say it was Smiths intent, conscious or otherwise. But I found the constant, even ubiquitous demonstration of her wit and of her breadth and depth of knowledge on numerous subjects distracting. It felt self-consciously smart. Witty, sure. And clever. But too much wit and too much cleverness. How ironic, “typical and ironic, ” that the main characters are united by the surname “Smart. ” Of course they are. But the smartest one of all is the Puppeteer holding the strings. I found myself looking too closely at not only the strings, but the Puppet Master, whose gloves and sleeves and wry smiles at her own jokes were just a little too visible behind and above it all, like the Wizard of Oz, trying to keep the illusion afloat. Nevertheless, I like Smith. I like her themes, her curiosity, and her interest in subjects that interest me. I like her characters and her insight on so many subjects. She does ask good questions. This review may be much ado about little. But I found that little to be distracting throughout the whole. If the pages and pages of four highly caffeinated and obsessively reflective streams of consciousness where cut by 40 percent, this would be a better book... ‘The Accidental by Ali Smith: Literary award winning style - check! Literary award winning structure - check! Literary award winning story - well, I don‘t know. Maybe. The character of Amber is a classic one of the mysterious stranger who arrives and changes everything. Although she reminds me of a 1970 hippie, she is thirty years old and very educated. She sleeps in her car despite having been invited by the Smart family to stay in their home. The Smart family adults mistake her identity at first; ‘The Accidental by Ali Smith: Literary award winning style - check! Literary award winning structure - check! Literary award winning story - well, I don‘t know. The Smart family adults mistake her identity at first; Eve believes she is a student of her husband Michael, and Michael believes she is a reporter who has come to interview Eve. She is neither one. Amber (view spoiler. as in red, amber, green - stop, caution, go! traffic control light) hide spoiler) isnt her real name either. She may have been conceived in a movie theater (playful literary device alert. and she is extremely knowledgeable of the plots of thousands of movies. She is very hungry and smelly when she shows up, which might clue in the reader what she is in fact. Although I related her character to the classic movie ‘High Plains Drifter immediately, gentle reader, her only weapon is an extremely charismatic personality mixed with a willingness to confront authority and social behavior. The vacationing Smart family is destroyed? saved? by her presence. Certainly all is changed. Eve Smart is a writer. She rented a Norfolk cottage for her family for the summer of 2003, hoping to use the isolation of the location to write her next book in her series of fictional biographies of people who died in World War II. Her books imagine that her ‘biographical subject survived the war to die of old age, extrapolating how their lives would have been lived if they had lived, given the facts and direction of their lives before they actually died. Weird, eh? Her series is crazy successful because the fake biographies are light-hearted (perhaps cozies? I am guessing. Dr. Michael Smart, Eves second husband and stepfather to her two children, is an English professor. He is also a sex addict, and he has had hundreds of sexual liaisons with student after student. He cannot remember their names, but he does a little bit better in remembering faces. These girls are mostly twenty years younger than he is, but he never considers the effect of his affairs on them or his job. Astrid, twelve years old, is a precocious, if antisocial, child. She is the most vivid character in the novel. I found her peculiarly attractive, despite that she seems to be at that stage where she hates everything. She also is extremely curious about the world around her, wondering how things work - her parents, her brother, the sun, animals, etc. She received a video camera as a present (and the present is what completely occupies her thoughts, both meanings of ‘present pun intended) and is avidly recording a myriad of odd events in her day. Magnus is seventeen years old and a computer nerd. He is seriously distressed. He took part in an online bullying of a girl at his school just before summer vacation which had serious consequences. It was his idea, but he did not think what he believed a funny joke would end up with such an awful conclusion. He feels terrible about the incident and he is scared to death someone will find out. Two other boys participated as well, so someone could talk. His own feelings of guilt are overwhelming his every thought, poisoning his life. Neither parent really stops to consider his strange behavior though. The above plot and character information that I have summarized above is actually a little difficult to suss out because Smith is using a stream of consciousness (an argument can be started as to how ‘conscious some of these characters are. style to introduce her characters and to move the plot forward. I thought she uses this now ancient and common ‘experimental style brilliantly, but it is a writing style to which readers have to pay close attention. The multiple points of view does confound some readers. There is a HUGE pileup of writer playfulness in literary symbols and book structure and plot convention homages. This is a literary read on steroids. Frankly, though, the plot as far as it concerned Eve was too peculiar of a flight of fancy, over-cooked, to me, but on the other hand, I was snorting (Scottishly. with enjoyment. Whatever. This is a novel where the reader is meant to enjoy the authors styling and clever writing and construction, not The Grande Finale. I suspect reading it a second time will be more pleasurable than reading it only once, if how a writer writes is more fun for you than what a writer writes... This is so funny, smart, fresh, unexpected, postmodern and experimental, I totally fell in love with Ali Smiths writing. Had I known Id love it so much, I would have read it a lot sooner. Of course Im crazy about Astrid (best 12 yo in fiction, maybe. and Magnus (that passage when hes at the cinema thinking about Astrid is so, so good, I loved it to pieces. Oh, and the ending - genius. 4. 5* Clever writing saves this book from mediocrity. The storyline wasnt that original but the play on words lifted this book to a higher level. I enjoyed this enough to want to read more from this author. Ali Smith is a writer, born in Inverness, Scotland, to working-class parents. She was raised in a council house in Inverness and now lives in Cambridge. She studied at Aberdeen, and then at Cambridge, for a Ph. that was never finished. In a 2004 interview with writing magazine Mslexia, she talked briefly about the difficulty of becoming ill with chronic fatigue syndrome for a year and how it Ali Smith is a writer, born in Inverness, Scotland, to working-class parents. In a 2004 interview with writing magazine Mslexia, she talked briefly about the difficulty of becoming ill with chronic fatigue syndrome for a year and how it forced her to give up her job as a lecturer at University of Strathclyde to focus on what she really wanted to do: writing. She has been with her partner Sarah Wood for 17 years and dedicates all her books to her... “There are things that can't be said, because it's hard to have to know them. ” — 35 likes “Oh. To be filled with goodness then shattered by goodness, so beautifully mosaically fragmented by such shocking goodness. ” 9 likes More quotes… Welcome back. Just a moment while we sign you in to your Goodreads account.
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@TheWNMan Mostly the younger set wants authority figures to be tolerant of their desire to smoke dope and sleep around. After that, it's pretty much just moral laissez-faire. Movie Watch What About lover. My favorite 😘😘. Movie watch what about love 2. From Wikipedia, the free encyclopedia Jump to navigation Jump to search The Accident may refer to: The Accident (film) a 1963 French film The Accident, a novel by Dexter Masters The Accident, a novel by Ismail Kadare The Accident, a novel by Chris Pavone The original title of the novel Day by Elie Wiesel "Subway. Homicide: Life on the Street) a sixth-season episode of Homicide: Life on the Street sometimes referred to as "The Accident" The Accident (miniseries) a 2019 Channel 4 drama miniseries See also [ edit] Accident (disambiguation) This disambiguation page lists articles associated with the title The Accident. If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from. Categories: Disambiguation pages Hidden categories: Disambiguation pages with short description All article disambiguation pages All disambiguation pages.
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Movie watch what about love season. Essas músicas fizeram parte da minha história de amor ❤ talita e David pra sempre❤😍. There's a shift in the direction but the wind will change. Never gonna be over ur songs. The teenagers are trapped in the building, and Polly directs her anger at the development's project leader Harriet, but is shocked to realise it might be her daughter who gets the blame This episode is audio described Strong language, violence and scenes some viewers may find distressing This episode is subtitled 47 mins In the aftermath of the tragedy, Polly worries that Iwan might be hiding something. Angela gathers the families to fight for justice, while Harriet faces questions at work. This episode is audio described Strong language and scenes that some viewers may find distressing This episode is subtitled 47 mins The inquest opens and questions are asked of Iwan, Alan and Harriet. Polly is forced to choose between her husband and justice when she's asked to betray Iwan. This episode is audio described Very strong language, scenes that some viewers may find distressing including scenes of a sexual nature This episode is subtitled 47 mins Harriet is in the dock for gross negligence manslaughter as the families' private prosecution finally arrives in court. And Polly fears for Leona who wants to give evidence. This episode is audio described Strong language and some scenes some viewers may find distressing This episode is subtitled 48 mins.
I was married to a girl for 22 years this how I use to feel about her but I have learned from the pain I couldn't listen to this song for the longest Time but now I've learned this song helps me to love the one I'm with now bettet. I do not want to die to this song. Movie watch what about love song. Movie Watch What About love. Movie watch what about love now. I used to fangirling over him 6 years ago and listen to this song all the time😂 wow time really flies so fast. The Accident by Linwood Barclay Open Preview See a Problem? Wed love your help. Let us know whats wrong with this preview of The Accident by Linwood Barclay. Thanks for telling us about the problem. To ask other readers questions about The Accident, please sign up. Popular Answered Questions Mark Simpkins Yes it is a stand alone book. It can be enjoyed all on it's own with no other background. 14, 141 ratings 1, 388 reviews Start your review of The Accident Aug 21, 2011 Arah-Lynda rated it really liked it Glenn Garber is beside himself. His wife Sheila, mother of his eight year old daughter Kelly, is dead, the result of a horrific car accident. Worse still the officer at the scene believes that Sheila is responsible for the accident that claimed the lives of two others. He wants Glenn to accept that his wife was driving under the influence, with an overwhelming amount of vodka in her system. This simply makes no sense. Sheila would never do something that stupid! As the coroner's report confirms Glenn Garber is beside himself. Sheila would never do something that stupid! As the coroner's report confirms the officer's initial assessment of Sheila's condition Glenn's disbelief and grief morphs into rage and an all consuming anger aimed at his dead wife. How could she have done something that stupid, that thoughtless, that final? How can he possibly explain this to Kelly? After the funeral, life resumes it's new, normal rhythms. His daughter Kelly is having trouble at school, being ostracized by her fellow students where one of the other victims of the accident was also a student. Fortunately she still has one loyal friend and Glenn has agreed to let her attend a sleepover there. His anger has subsided now and what remains is an unyielding reluctance to accept the apparent facts surrounding Sheila's death. But now Kelly is on the phone begging her father to come and get her immediately! What she tells him when he picks her up becomes the first link in a series of troubling events that propell Glenn forward into a vortex of seething corruption. Secret after dangerous secret emerges in his small, home town in Conneticut, complete with threats from neighbours and friends alike and now, well now he is being hunted by total strangers! As he digs deeper to understand and uncover the real truth Glenn must find a terrifying place within himself in order to protect his daughter and avenge his wife's death. The Accident roars forward at a breathless, pulsating pace that brings this domestic thriller to a chilling climax you won't see coming... Sep 02, 2015 Mandy it was amazing Great book! Just like a Harlan Coben novel. So glad I have several others of his to read. This book was full of twists and turns and ended up being completely surprising at the end. Highly recommend if you love a book that throws 180s at you! Can't wait to read his others! Apr 03, 2018 Phrynne My first by this author and I thoroughly enjoyed it, although once or twice I did wonder how one poor person could possibly be acquainted with so many murderers. Why worry though. No one ever said mysteries and thrillers had to be realistic, and this one worked really well on every level. It moved fast and had more twists and turns than you would believe! I really liked the main character, Glen and his very capable young daughter Kelly. They made a great team in trying to solve the mystery of My first by this author and I thoroughly enjoyed it, although once or twice I did wonder how one poor person could possibly be acquainted with so many murderers. They made a great team in trying to solve the mystery of Sheila's death. Altogether a very intriguing and easy read. Definitely an author to follow up... Quick Summary What starts out as a typical ordinary day for building contractor Glen Garber and his family ends very tragically. His wife, Sheila, is killed in a car accident under confusing circumstances. As he begins to investigate the circumstances on his own after the police close the case, Glen uncovers a morass of secrets and questionable activities involving people close or connected to him. The bottom line This was a page turner with so many twists, turns and discoveries in each chapter. Quick Summary What starts out as a typical ordinary day for building contractor Glen Garber and his family ends very tragically. The bottom line This was a page turner with so many twists, turns and discoveries in each chapter. In the background of the story is the fallout from the recession and how normally upstanding members of this working class neighborhood handled their individual situations. The writing is nimble and well constructed. With so many surprises throughout the book I was impressed that the climax could still squeeze out a few more. Barclay's style in some ways reminds me of Harlan Coben but still manages to maintain his own unique identity. I really liked this story and I've loaded up my reader with more of his titles... Lynwood Barclay takes the reader on a thrilling multi-layered mystery ride in The Accident that grabs you right from the prologue and doesn't stop. When Glen's wife Sheila is more than an hour overdue from her night class and doesn't answer her phone, he packs up his young daughter Kelly and heads out to find her with devastating results. After Sheila's shocking and untimely death, no spoiler here) Glen's life and struggling construction business continue to spiral downhill after his daughter Lynwood Barclay takes the reader on a thrilling multi-layered mystery ride in The Accident that grabs you right from the prologue and doesn't stop. After Sheila's shocking and untimely death, no spoiler here) Glen's life and struggling construction business continue to spiral downhill after his daughter plays an innocent game of hide and seek at a sleep-over and overhears a mysterious and threatening telephone conversation that leads to an unbelievable multitude of crimes and cover-ups. Fast moving and entertaining with many surprising twists and turns... Dec 09, 2019 Herbie I don't know what it is about Linwood Barclay's writing, but he can always write a really solid thriller that has me guessing all the way through. The accident is no exception. I was gripped from start to finish and loved that the lead character is actually likeable for once you really do root for him and his family, especially with all the rubbish that comes their way. If you haven't checked out Linwood Barclay yet, this is a great place to start. If you have, you won't be disappointed by this I don't know what it is about Linwood Barclay's writing, but he can always write a really solid thriller that has me guessing all the way through. I was gripped from start to finish and loved that the lead character is actually likeable for once 🙌🏻 you really do root for him and his family, especially with all the rubbish that comes their way. If you have, you won't be disappointed by this one... Jan 06, 2015 E. 3. 5 stars I liked this story. The characters were 3 dimensional, the plot was well developed. My only complaint was (for me) it started to really drag near the middle. Conversations were waaaaay to long, explanations about what and why certain things were illegal seemed to drone on forever. There was good information in all that, it just could have been a little more succinct. Kinda like this needed to be expanded 50 or more pages so there were a lot of words added. (High school essay tactic I 3. (High school essay tactic I remember well. The ending was worth hanging in there. Nice and surprisingly twisty. I hadn't guessed that one even closely... Jul 15, 2015 Louise Wilson This book has not disappointed. I love Linwood Barclay's books and this is the best one I have read so far. Definitely would recommend The Accident is about a community who are affected by the recession created a plan to make more money. Glen Garber construction company was in financial difficulties after a mysterious fire destroyed one of his homes. Glen Garber wife Sheila thought she could help by joining a quick rich scheme set up by a group of women in the community. However, it did not work out the way Sheila wanted. Sheila was involved in an accident that killed a father and his son and gave Glen Garber more problems. The The Accident is about a community who are affected by the recession created a plan to make more money. The readers will follow the twist and turns in Glen Garbers investigation into the death of his wife, Sheila. Also, will see if Glen Garber construction company survived. The Accident is the first book I have read of Linwood Barclay, and it was enjoyable to read. I will look into reading other books by Linwood Barclay. The Accident is well written and researched by Linwood Barclay. I loved Linwood Barclay portrayed his characters and intertwined them with each other. I like the way, Linwood Barclay describing his settings of The Accident. Linwood Barclay did an excellent job of engaging me with the twist and turns in his plot of The Accident. The readers of The Accident will learn what happens to construction company when they do not use the right electrical equipment. Also, The Accident highlights that greed does not provide you happiness and wealth. I recommend this book... Mar 29, 2015 Mike French Thanks to my GR FRIENDS for the recommendations. This my first Linwood Barclay book, but certainly not my last! IMO started off a little, but soon became a wild roller coaster ride to the end. I am looking forward to my next adventure with Mr. Barclay! Comfy chair? Drinks? Snacks? Good lighting? Excellent! Cause you're not going to be getting up or stopping once you dive into Linwood Barclay's latest release - The Accident. The opening prologue - a violent crime with a distinctly different setting caught my interest. But the foreshadowing in the first paragraph in chapter one clinched it: If I'd known this was our last morning, I'd have rolled over in bed and held her. But of course, if it had been possible to know something like that - if I Comfy chair? Drinks? Snacks? Good lighting? Excellent! Cause you're not going to be getting up or stopping once you dive into Linwood Barclay's latest release - The Accident. But of course, if it had been possible to know something like that - if I could have somehow seen into the future - I wouldn't have let go. And then things would have been different. Glen Carver inherited his building business from his father. He's a straight shooter and does right by his customers, staff and his wife Sheila and eight year old daughter Kelly. Times are tough all over - the economy still hasn't fully recovered - the Carvers have money troubles like everyone else. And then the unthinkable happens - Sheila is killed in an accident that also kills a father and son. The cops say Sheila was drunk and was at fault. But Glen knows that Sheila didn't drink to did she and he just never knew? As Glen struggles to deal with his wife's death and looking after Kelly, more seeming unrelated incidents transpire. A web is being woven around Glen, but he can't see it. We can though. I just wanted to shout at Glen - NO! Look out! Ask them why. When he finally twigs that there is something really wrong going on with his friends and family, it's almost too late. Barclay's characters are almost anti-heroes; everyday men thrust into situations completely outside the scope of their everyday lives with the need to protect their families. It makes them all the more believable and likable. Adding more reality to the story is the economic thread of the story - foreclosures, lay-offs, downsizing and desperately trying to make ends meet. Barclay has the suspense/thriller genre in a choke hold with no signs of letting go (thank goodness. Like Harlan Coben? You're going to love Linwood Barclay... Jan 05, 2013 Stella it was ok I finished this book in about one and a half, two days. It was a page turner, not necessarily because it extremely swept me up and interested me but more because I just wanted to get it over with. It's very simply written, and that's probably because the author is the type to churn out these types of novels and he wants them to appeal to the masses. I have a number of pet peeves about this book. First, it switches between first and third person a lot (each chapter is a new character's thoughts or I finished this book in about one and a half, two days. First, it switches between first and third person a lot (each chapter is a new character's thoughts or a description of what happens to them. The inconsistency isn't so much confusing as just a nuisance. Second, it's annoying when the author will reveal a major plot twist in one chapter, then the next chapter is just the thoughts of another simple-minded character who has no idea about the plot twist and is just sitting in his basement trying to figure it out. THIRD, AND THE MOST IRRITATING, is that the author fails to deeply describe any physical characteristics or traits about the characters except for the occasional "he was this tall" or "he was wiry" UNLESS he is letting us know that the main character he now interacting with a "black cop. This is the only mention of someone's physical description. So what, we were just supposed to assume that all other characters were white? Talk about white privilege. It really just left a bad taste in my mouth towards this book after I noticed the author doing that... If Mr. Barclay ever decides to go into script writing for a television soap opera, hell have good reference material with “The Accident. ” This book is chock full of characters interconnecting, with secrets around every corner. With a mini cliffhanger at the end of nearly every chapter, this story unfolds the lives of desperate people trying to hold onto a little slice of life. One night, Glen Garber, a contractor in a Connecticut community, drives upon the scene of an accident where his wife, If Mr. One night, Glen Garber, a contractor in a Connecticut community, drives upon the scene of an accident where his wife, Sheila and two other people have been killed. The police blame drunk driving on the part of Sheila. Garber, not believing his wife could do such a thing slowly starts digging into the case, especially after his daughter comes home with a video of mysterious phone calls made by her friends mother. With a co-worker asking for money, a former subcontractor suspected of destroying a house, a detective snooping around investigating a case of counterfeit merchandise, and a shady character hanging around, Garber finds trouble coming at him from all sides. Barclay somehow keeps all the proverbial balls in the air in this complex, character saturated plot. Unlike many books with numerous characters, Barclay gives a touch of background for each one. From the detectives husband who is affected by the Iraqi war to the neighbors loneliness, the reader gets to learn a little about each person, making for a better understanding of each character. Expect a bit of action, a smattering of suspense and a few surprises. Reviewed by Stephen L. Brayton, author of “Beta” for Suspense Magazine... Jun 02, 2011 Diane S ☔ 3 1/2 Was all set to give this book a four but the ending was a bit of an overkill for me. Up to that point I was loving the book, suspense was great, it was a cautionary tale about the buying and selling of ripoff purses and drugs, liked the character of father and daughter but just couldn't buy that ending. THE ACCIDENT, another suspense thriller by Linwood Barclay, combined with my favorite male narrator, Peter Berkrot - What a combo! Would love for him to perform all Barclay's audiobooks. After reading Broken Promise, Top Books of 2015) Barclay has been added to my favorite author list, and immediately purchased all his backlist in audio format. I am slowly making my way through the list. This is one intense suspense thriller - glued to my iPod for hours! Glen is a contractor and they THE ACCIDENT, another suspense thriller by Linwood Barclay, combined with my favorite male narrator, Peter Berkrot - What a combo! Would love for him to perform all Barclay's audiobooks. This is one intense suspense thriller - glued to my iPod for hours! Glen is a contractor and they barely are making ends meet, and his wife Shelia is attending night classes in order to help with the accounting needs of their small business. However, she does not return on time after her class, and Glen discovers she is dead. A car accident involving alcohol. His daughter Kelly is devastated, and kids at school begin making fun of her drunken mother. Glen cannot even imagine how this would have happened, as not like his wife. When Kelly stays over at a friends home, the girls are playing hide and seek. Kelly happens to find herself hiding in the mothers closet and overhears a disturbing phone conversation. Who was on the other end of the line? She calls her dad to pick her up. Glen is now more concerned the more he digs into more accidents, and realizes his wife may have been innocent and caught up in the middle of illegal activities. As more suspicions surface, he now has to protect his daughter, not knowing who he can trust, while he attempts to avenge his wifes reputation and protect his family. From designer handbags, home parties, girls New York trip, to knock off Rolex watches, and illegal drugs—a string of conspiracy. A little scandalous Desperate Housewives' Wisteria Lane, suburbs, and hidden secrets. A fast- paced suspense crime mystery thriller fans will enjoy! Well-developed characters and non-stop twists and turns. Nicely done; look forward to more... Jun 01, 2011 Michael "The Accident" is a thought provoking story dealing with the sale of knock off items by unwary suburbanites attempting to add to their family's income. It also details the people behind this activity and reveals that many of these items were made by young children working in miserable concitions in third world countries. The thrilling story tells of Glen Garber becoming worried when his wife, Sheila, fails to return home from night school. He attempts to follow her route and comes upon an "The Accident" is a thought provoking story dealing with the sale of knock off items by unwary suburbanites attempting to add to their family's income. He attempts to follow her route and comes upon an accident. When he realizes that it is Sheila's car in the accident, he rushes to the vehicle but is stopped by police. They tell him that Sheila didn't survive the accident and was apparently drinking and passed out. The accident also resulted in the death's of two people in a second car. One of Sheila's friends, Ann Slocum, is ordered to meet an unnamed man who tells her that he wants his money. We learn that Ann has been selling unregistered pharmaceutical products. Ann meets someone and in a dispute, she ends up dead. Glen has lost so much. There has been a fire in a home that he was building and the accident report indicated that it was caused by shoddy equipment. With his business problems, Sheila's death and children at his daughter Kelly's school treating her curelly, Glen seems surrounded by people intent on harming him and Kelly. He is a sympathetic character who we come to admire because he doesn't ask for sympathy or give up after having his world crumble around him. Barclay has written a riveting book about a man who demonstrates that one man, acting with conviction, can make a difference. This was an easy read but the reader should cancel their appointments before starting the story because once they begin, they won't be able to stop reading... My first Linwood Barclay read, A Tap on the Window, earned a solid five-star rating, and I was eager to pick up more of his work. I worked my way through a few of his books, all earning four-star ratings from me, before reaching a book that left me a bit tentative. Everyone knows that feeling of giving a beloved author a three-star rating, how it can leave you worried about what else they can offer. Due to this, I found myself avoiding the other Linwood Barclay books I own. In the end, though, I My first Linwood Barclay read, A Tap on the Window, earned a solid five-star rating, and I was eager to pick up more of his work. In the end, though, I finally decided to overcome my fear and jumped into The Accident. Ill be honest, The Accident is not a full four-star rating. It is a very strong three-point-five-star read, possibly even more than that and leaning even closer to four-stars, hence why I decided to round my rating up. In truth, I feared I would not be doing such a thing at the start of the story, but it did win me over in the end. Linwood Barclay writes thrillers that are quite a bit slower than many of the big-name thriller writers out there. What is lacking in speedy action scenes, however, is made up for in twists. Once the story gets going, many elements are introduced in this one. Each time you believe all the details have come to light, something more is added to leave you guessing the future details that will come to light. Its certainly one of those books where you need to hold out, to work through may details, to really appreciate how everything comes together so well. Whilst The Accident may not be my favourite Linwood Barclay book, it has certainly removed the tentatively that was left following my prior three-star rating... Jun 25, 2012 Tony liked it Linwood Barclay- The Accident 3 Stars Glen Garbers wife Sheila just died in a car accident. The circumstances seem odd as he doesnt ever remember her driving drunk before, and now his daughter must continue going to a school where they all know her mother killed two of their fellow students. As Garber digs into the mess he discovers that all may not be as it seems in his peaceful neighbourhood. Friends may not be who they claim to be and this information may just put his family into further Linwood Barclay- The Accident 3 Stars Glen Garbers wife Sheila just died in a car accident. Friends may not be who they claim to be and this information may just put his family into further danger. The Accident starts off a little slow for my liking, and takes way too long to get intriguing. I felt that it was just interesting enough for me to keep reading, but when it did pick up it got pretty intense. The plot was decent, with many great twists and turns and an ending you will never see coming. That being said, I felt that there was one too many twists and the plausibility was not always there. Garber seems to be going around in circles and stumbling upon answers/dead people. Too many characters were backstabbing fiends, which kind of hurt what otherwise would have been great characterization. Overall it was an okay one time read; I would not pick it up and read it again. For more of my reviews check out my website. Tony Peters Kids on a Case: The Case of the Ten Grand Kidnapping... I borrowed this book from my Grandma as she had plenty of good things to say about it. Judging from the blurb, it was right up my street. The prologue made me yawn until I got to the end of the scene. I wasn't hooked but I thought I would at least give the book a chance. The voice and style of the writing was rather limp and I was already considering on giving up within the first three chapters. I pushed myself forward despite having a massive gripe with the book. This is written in first person I borrowed this book from my Grandma as she had plenty of good things to say about it. This is written in first person and third person which, quite frankly, I couldn't stand. I don't mind if there is a change in narrator or if the third person was a one off but constantly flicking between the two made it very hard for me to adjust. I wasn't impressed with the characterisation, either. Glen and Kelly annoyed me to no end. Kelly didn't seem like an eight year old at all, more like a five year old. Long story short, 240 pages in and it was trying my patience. I skipped to the last 40 pages and I'm so glad I did it. I never skip a book unless it's necessary but I'm so glad I cut through all the rubbish that was happening. To sum it up, the actual idea of the plot was fantastic but the writing style and the way the story was delivered wasn't my cup of tea... 3. 5 stars - It was really good. This was exactly what I needed after several tedious, slow and uninteresting reads - a fast and engaging plot with lots of twists. The ending was somewhat far fetched and convenient, but easily forgiven. Favorite Quote: Sherlock Holmes once told Doctor Watson, “How often have I said to you that when you have eliminated the impossible whatever remains, however improbable, must be the truth? ” First Sentence: If Id known this 3. Favorite Quote: Sherlock Holmes once told Doctor Watson, “How often have I said to you that when you have eliminated the impossible whatever remains, however improbable, must be the truth? ” First Sentence: If Id known this was our last morning, Id have rolled over in bed and held her... Aug 17, 2011 Carolyn Wow! A thriller that actually thrills. A quick roller coaster of a read. I found this tight, fast moving book almost impossible to put down. When I needed to do something such as eat or sleep I would open the book moments after closing it, and skip other activities; hasn't happened during a mystery for a long time. Barclay's books belong in the same category as H. Cobin's:domestic mystery, where average people or families are caught up in mysterious and dangerous circumstances. I found the Wow! A thriller that actually thrills. I found the adults, reactions and dialogue true to life. The only flaw for me was the 8 year old daughter, who I felt acted and talked more like a young teenager. I book is set in a Connecticut town The main character is a man named Glen, who lives with his wife Shelia and his 8 year old daughter Kelly. The economy is in a mess. Glen owns a construction company, and has lost business, and some of his friends and workers are in debt and in danger of losing their homes. His wife has been going to business class at night in order to help in his company. One night Sheila doesn't come home and Glen is informed that she was driving drunk and is dead along with a father and son in another car. Glen is full of grief but also anger. Sheila would take a social drink with her girlfriends, but always a taxi and he has never known to drive when drinking. Sheila's wealthy mother is angry at Glen for driving her to drink and not noticing any signs. His young daughter is being called Boozer at school and getting in fights. Her grandmother wants to take Kelly to live with her and her second husband and put her in an expensive boarding school. To make matters worse, Glen is being sued by widow of man killed in the accident for millions for allowing his drunken wife to drive resulting in death of husband and son. Didn't mention that a house his company was building recently burned down. Glen's life was saved by a worker/friend and insurance company is refusing to pay. Recently Sheila hosted a party for friends and neighbour women. The party was conducted by her friend Ann who was selling counterfeit designer pursers made in China and sold out of NYC. Very few of the women realized this was illegal. A detective comes to the town employed by the actual purse designers to investigate the trade. Glen learns that these copycat purses are supplied by a very ruthless man in NYC, who will shoot anyone who might get in his way, and that he was also dealing with dangerous copycat prescription drugs and other things. Shortly after Sheila's death, Kelly is asked to go to a sleepover at Ann's home. Ann has a daughter Kelly's age who is the only friend the girl has left after the death of her mother. The girls are playing hide and seek and Kelly hides in Ann's closet. Ann enters the bedroom and takes two phone calls which Kelly only partly hears and they make little sense. She manages to video record the scene on her cell phone which she had ready to record her friend if she found her, as part of the object of their hide and seek game. Shortly after she calls her father to come and get her. Turns out Ann was very angry at her. Ann's husband is a policeman who soon tries to discover what Kelly overheard. Next morning Ann has been found dead. It looks like another accident where she stopped on the wharf to change a flat tire and fell into the water, but local police find signs that it may have been murder. Why was she there and whom was she meeting? Two deaths in such a short time makes Glen think maybe Shelia was also murdered. Soon he discovers that Sheila was to deliver a huge sum of money to the wife of a couple they knew on the night of " the accident" and never went to her business class. Sheila's purse was found in the car but not the money. The woman believes Glen has taken it. A very menacing stranger is also demanding the money and a shot has been fired through Kelly's bedroom window. Kelly goes to stay with the grandmother for safety sake. While Kelly was hiding in Ann's closet she accidentaly took an object home which may point to other secrets. This is only the set up for this fast moving thriller. Much of the time I felt I was a step ahead of Glen in trying to discover what caused his wife's death or if it was truly an accident. However many more things happen and more town secrets are revealed. There were several twists near the end which completely shocked and dumbfounded me and don't know how anyone could have seen them coming. But nothing was too farfetched and was completely believable to me. Barclay is a Canadian writer and would wish he would set a future novel somewhere in this country. Best mystery story I read in a recent memory... Excellent. Linwood Barclay can do no wrong in my eyes! I'm a little behind with Barclay and glad to have gone back and caught up with this title. Barclay never disappoints me. I can always count on him presenting an unusual crime and a thriller with many twists and turns. The Accident, once again, delivers. I'll just start by saying this wasn't my favourite of the author's as I didn't find it as intense as others I've read. Oh, the twists and thrills were there but I just felt as if I knew they were coming just before they happened. There are I'm a little behind with Barclay and glad to have gone back and caught up with this title. There are several related crimes going on here and I figured some of it out but the ultimate reveal I hadn't guessed, though I didn't find it too surprising by that point. The whole playing out of what went down was quite the story though! One thing I really enjoyed about this book was the main character's dealing with his wife's death. He goes through the various stages of grief and he was a likable character. Mind, he was explosive and had a temper, but his reactions to the astonishing unfolding of events while dealing with grief were very real and I enjoyed reading him. So putting my ramblings together. another good thriller from Barclay, not his best, but good nevertheless... Apr 24, 2016 Tom Swift Wow. This was really, really good. This is the first book that I have read from Barclay, and I was very impressed. This is a thriller that grabs you right away and sprints to the end. The Accident is about a man in his 30's whose life is shattered when his wife dies in a DUI/car accident. The truth starts to unfold, what a great story. Apr 15, 2018 Sandy Sheila has been in a terrible accident. That accident killed three other people. She was drunk and asleep at the wheel driving up the exit ramp of a thruway. But none of that made any sense. She didn't drink and drive. Dealing with the aftermath of her death, with a construction project that burned to the ground, and a slump in the economy, it is all Garber can do to keep things together. Then other people start to die and he cannot ignore the coincidences any more. What is going on in his town Sheila has been in a terrible accident. What is going on in his town and what does it have to do with his business and his family? I found this a wonderfully suspenseful book with a fine number of twists and turns. This one had me on the edge of my seat throughout. I thought the ending could have been a bit less contrived but it was just the other side of making sense. I still really enjoyed the book... 4. 5* That annoying moment when you realise a brilliant book has been sat unread on your shelves for years. Aug 06, 2011 Paul Pessolano “The Accident” by Linwood Barclay, published by Bantam Books. Category – Mystery/Thriller Sherlock Holmes once told Doctor Watson, “How often have I said to you that when you have eliminated the impossible whatever remains, however improbable, must be the truth? ” Linwood Barclay uses this to its maximum in his latest and best mystery/thriller, “The Accident”. Two young ladies from Butler, Pennsylvania are celebrating a birthday by going shopping in New York. They heard of a place that sells “ “The Accident” by Linwood Barclay, published by Bantam Books. They heard of a place that sells “knockoff” purses and upon arriving at the location are immediately shot to death. In the town of Milford, Connecticut Glen and Sheila Garber and their young daughter Kelly are about to undergo a complete change in their lives. Glen, who owns a construction company, has hit on hard times but Sheila thinks she has a way to earn some extra money. However, Sheila is in automobile “accident” which claims her life and two others. Although Sheila has never driven while intoxicated, the autopsy shows that she was legally drunk. Their friends Ann and Darren Slocum and their daughter Emily have Kelly over for a sleepover and while Kelly is playing a game of hide and seek, she finds herself in Anns bedroom closet and takes a video of Ann handling two strange phone calls that figure prominently in the conclusion of the book. That night Ann is found dead in a lake and the death is considered an “accident”. Glen, not believing that either “accident” is nothing short of murder begins to investigate and is torn between loyalty to his wife and friends and the truth. There are few really top notch mysteries where just about everyone in the novel is considered and very well could be part and partial to the crimes committed. “The Accident” will have you running around in circles trying to find the guilty party or parties. This will truly keep you turning the pages because the plot keeps getting deeper and deeper the more you read... Aug 20, 2011 Neil Mudde What a roller-coaster read! if I would not have had to do "chores" I would have stayed glued reading the book until it finished. Linwood has created a story about clandestine buying and selling of counterfeit goods being brought into the country. (U. S) The story setting is in a small town, if you think you know your friends and neighbours, ha! think twice, Linwood takes you into people lives like no one else could. Some of the violence I could live without however we are talking about a cut throat What a roller-coaster read! if I would not have had to do "chores" I would have stayed glued reading the book until it finished. Some of the violence I could live without however we are talking about a cut throat operation which you need to read about, as if I gave hints of the story content it would spoil it for you. If you have enjoyed Linwood's earlier books, you will love this. The ending is not unlike being caught in a vortex, and will totally take you by surprise, at this point it was 1:30 am and I finished reading it @ 3 am. today I have bags under my eyes, but well worth it! Take my word for it get the book and read it, a great book to pack along on a trip, although you may want to finish reading it in one sitting. Linwood Barclay has delivered another terrific mystery/thriller about an ordinary suburban man who is confronted by seemingly insurmountable troubles but refuses to give up or indulge in self-pity. Not only is this novel filled with suspense, intriguing characters, and lots of twists and turns, it's also informative and thought-provoking. The story involves a number of naive suburbanites who have taken to selling knockoff products, such as purses and prescription drugs, to make some extra money, Linwood Barclay has delivered another terrific mystery/thriller about an ordinary suburban man who is confronted by seemingly insurmountable troubles but refuses to give up or indulge in self-pity. The story involves a number of naive suburbanites who have taken to selling knockoff products, such as purses and prescription drugs, to make some extra money, not realizing that they are dealing with ruthless members of organized crime who are profiting from their efforts, that the items are manufactured in foreign sweatshops by exploited children, and that the drugs are often bogus and therefore dangerous. Don't miss this book if you enjoy an exciting tale of suspense with characters you care about, an admirable protagonist, and food for thought... I wish GR's would give 1/2 stars - for me this book was a 3. 5 - Glen Garber- a housing contractor is seeing his business shaken during the housing crisis. A home that Glen was building catches fire, and they believe it to be from shoddy equipment and wiring. His wife, Sheila, gets killed in a car accident-presumed to be drunk driving. Then we have plot elements ranging from counterfeit purse parties to toxic dry wall to housewives peddling prescription drugs to lost money in Ponzi schemes. The I wish GR's would give 1/2 stars - for me this book was a 3. The story did keep my interest, wanting to find out what the HECK is going on. Another nice read from Barclay- and even though this was not one of my favorites, I'm glad I read it and looking forward to reading more from him... Linwood Barclay is the #1 internationally bestselling author of seventeen novels for adults, including No Time for Goodbye, Trust Your Eyes and, most recently, A Noise Downstairs. He has also written two novels for children and screenplays. Three of those seventeen novels comprise the epic Promise Falls trilogy: Broken Promise, Far From True, and The Twenty-Three. His two novels for children – Linwood Barclay is the #1 internationally bestselling author of seventeen novels for adults, including No Time for Goodbye, Trust Your Eyes and, most recently, A Noise Downstairs. His two novels for children – Chase and Escape – star a computer-enhanced dog named Chipper whos on the run from the evil organization that turned him into a super-pup. Barclays 2011 thriller, The Accident, has been turned into the six-part television series LAccident in France, and he adapted his novel Never Saw it Coming for the movie, directed by Gail Harvey and starring Eric Roberts and Emily Hampshire. Several of his other books either have been, or still are, in development for TV and film. After spending his formative years helping run a cottage resort and trailer park after his father died when he was 16, Barclay got his first newspaper job at the Peterborough Examiner, a small Ontario daily. In 1981, he joined the Toronto Star, Canadas largest circulation newspaper. He held such positions as assistant city editor, chief copy editor, news editor, and Life section editor, before becoming the papers humour columnist in 1993. He was one of the papers most popular columnists before retiring from the position in 2008 to work exclusively on books. In 2004, he launched his mystery series about an anxiety-ridden, know-it-all, pain-in-the-butt father by the name of Zack Walker. Bad Move, the first book, was followed by three more Zack Walker thrillers: Bad Guys, Lone Wolf, and Stone Rain. (The last two were published in the UK under the titles Bad Luck and Bad News. His first standalone thriller, No Time for Goodbye, was published in 2007 to critical acclaim and great international success. The following year, it was a Richard and Judy Summer Read selection in the UK, and did seven straight weeks at #1 on the UK bestseller list, and finished 2008 as the top selling novel of the year there. The book has since been sold around the world and been translated into nearly thirty languages. Barclay was born in the United States but moved to Canada just before turning four years old when his father, a commercial artist whose illustrations of cars appeared in Life, Look and Saturday Evening Post (before photography took over) accepted a position with an advertising agency north of the border. Barclay, who graduated with an English literature degree from Trent University, in Peterborough, Ontario, was fortunate to have some very fine mentors; in particular, the celebrated Canadian author Margaret Laurence, whom Linwood first met when she served as writer-in-residence at Trent, and Kenneth Millar, who, under the name Ross Macdonald, wrote the acclaimed series of mystery novels featuring detective Lew Archer. It was at Trent that he met Neetha, the woman who would become his wife. They have two grown children, Spencer and Paige... “It's hard to make things right for everyone. But if everybody helped just one person, lots of people would get helped. ” — 5 likes More quotes… Welcome back. Just a moment while we sign you in to your Goodreads account.
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Movie Watch What About love like. ONE If I'd known this was our last morning, I'd have rolled over in bed and held her. But of course, if it had been possible to know something like that- if I could have somehow seen into the future- I wouldn't have let go. And then things would have been different. I'd been staring at the ceiling for a while when I finally threw back the covers and planted my feet on the hardwood floor. "How'd you sleep. Sheila asked as I rubbed my eyes. She reached out and touched my back. "Not so good. You. Off and on. I sensed you were awake, but I didn't want to bug you, on the off chance you were sleeping. I said, glancing over my shoulder. The sun's first rays of the day filtered through the drapes and played across my wife's face as she lay in bed, looking at me. This wasn't a time of day when people looked their best, but there was something about Sheila. She was always beautiful. Even when she looked worried, which was how she looked now. I turned back around, looked down at my bare feet. "I couldn't get to sleep for the longest time, then I think I finally nodded off around two, but then I looked at the clock and it was five. Been awake since then. Glen, it's going to be okay. Sheila said. She moved her hand across my back, soothing me. "Yeah, well, I'm glad you think so. Things'll pick up. Everything goes in cycles. Recessions don't last forever. I sighed. "This one sure seems to. After these jobs I'm doing now, we got nothin' lined up. Some nibbles, did a couple of estimates last week- one for a kitchen, one to finish off a basement- but they haven't called back. I stood up, turned and said, What's your excuse for staring at the ceiling all night. Worried about you. And. I've got things on my mind, too. What. Nothing. she said quickly. "I mean, just the usual. This course I'm taking, Kelly, your work. What's wrong with Kelly. Nothing's wrong with her. I'm a mother. She's eight. I worry. It's what I do. When I've done the course, I can help you more. That'll make a difference. When you made the decision to take it, we had the business to justify it. Now, I don't know if I'll even have any work for you to do. I said. "I just hope I have enough to keep Sally busy. Sheila'd started her business accounting course mid-August, and two months in was enjoying it more than she'd expected. The plan was for Sheila to do the day-to-day accounts for Garber Contracting, the company that was once my father's, and which I now ran. She could even do it from home, which would allow Sally Diehl, our "office girl. to focus more on general office management, returning phone calls, hounding suppliers, fielding customer inquiries. There usually wasn't time for Sally to do the accounting, which meant I was bringing it home at night, sitting at my desk until midnight. But with work drying up, I didn't know how this was all going to shake down. "And now, with the fire. Enough. Sheila said. "Sheila, one of my goddamn houses burned down. Please don't tell me everything's going to be fine. She sat up in bed and crossed her arms across her breasts. "I'm not going to let you get all negative on me. This is what you do. I'm just telling you how it is. And I'm going to tell you how it will be. she said. "We will be okay. Because this is what we do. You and I. We get through things. We find a way. She looked away for a moment, like there was something she wanted to say but wasn't sure how to say it. Finally, she said, I have ideas. What ideas. Ideas to help us. To get us through the rough patches. I stood there, my arms open, waiting. "You're so busy, so wrapped up in your own problems- and I'm not saying that they aren't big problems- that you haven't even noticed. Noticed what. I asked. She shook her head and smiled. "I got Kelly new outfits for school. Okay. Nice ones. I narrowed my eyes. "What are you getting at. I've made some money. I thought I already knew that. Sheila had her part-time job at Hardware Depot- about twenty hours a week- working the checkout. They'd recently installed these new self-checkout stations people couldn't figure out, so there was still work there for Sheila until they did. And since the early summer, Sheila had been helping our next-door neighbor- Joan Mueller- with her own books for a business she was running from her home. Joan's husband, Ely, had been killed on that oil rig off the coast of Newfoundland when it blew up about a year back. She'd been getting jerked around by the oil company on her settlement, and in the meantime had started running a daycare operation. Every morning four or five preschoolers got dropped off at her door. And on school days when Sheila was working, Kelly went to Joan's until one of us got home. Sheila had helped Joan organize a bookkeeping system to keep track of what everyone owed and had paid. Joan loved kids, but could barely finger count. "I know you've been making some money. I said. "Joan, and the store. Everything helps. Those two jobs together don't keep us in Hamburger Helper. I'm talking about better money than that. My eyebrows went up. Then I got worried. "Tell me you're not taking money from Fiona. Her mother. "You know how I feel about that. She looked insulted. "Jesus, Glen, you know I would never. I'm just saying. I'd rather you were a drug dealer than taking money from your mother. She blinked, threw back the covers abruptly, got out of bed, and stalked into the bathroom. The door closed firmly behind her. "Aw, come on. I said. By the time we reached the kitchen, I didn't think she was angry with me anymore. I'd apologized twice, and tried to coax from Sheila details of what her idea was to bring more money into the house. "We can talk about it tonight. she said. We hadn't washed the dishes from the night before. There were a couple of coffee cups, my scotch glass, and Sheila's wine goblet, with a dark red residue at the bottom, sitting in the sink. I lifted the goblet onto the counter, worried the stem might break if other things got tossed into the sink alongside it. The wineglass made me think of Sheila's friends. "You seeing Ann for lunch or anything. I asked. "No. I thought you had something set up. Maybe later this week. Belinda and Ann and me might get together, although every time we do that I have to get a cab home and my head hurts for a week. Anyway, I think Ann's got some physical or something today, an insurance thing. She okay. She's fine. A pause. "More or less. What's that mean. I don't know. I think there's some kind of tension there, between her and Darren. And between Belinda and George, for that matter. What's going on. Who knows. she said. "So then, what are you doing today? You don't have a shift today, right? If I can slip away, you want to get lunch? I was thinking something fancy, like that guy who sells hot dogs by the park. I've got my course tonight. she said. "Some errands to run, and I might visit Mom. She shot me a look. "Not to ask her for money. I decided to ask nothing further. She'd tell me when she was ready. Kelly walked into the room at the tail end of the conversation. "What's for breakfast. You want cereal, cereal, or cereal. Sheila asked. Kelly appeared to ponder her choices. "I'll take cereal. she said, and sat at the table. At our house, breakfast wasn't a sit-down family meal like dinner. Actually, dinner often wasn't, either, especially when I got held up at a construction site, or Sheila was at work, or heading off to her class. But we at least tried to make that a family event. Breakfast was a lost cause, however. I had my toast and coffee standing, usually flattening the morning Register on the countertop and scanning the headlines as I turned the pages. Sheila was spooning in fruit and yogurt at the same time as Kelly shoveled in her Cheerios, trying to get them into herself before any of them had a chance to get soggy. Between spoonfuls she asked, Why would anyone go to school at night when they're grown up and don't have to go. When I finish this course. Sheila told her, I'll be able to help your father more, and that helps the family, and that helps you. How does that help me. she wanted to know. I stepped in. "Because if my company is run well, it makes more money, and that helps you. So you can buy me more stuff. Not necessarily. Kelly took a gulp of orange juice. "I'd never go to school at night. Or summer. You'd have to kill me to get me to go to summer school. If you get really good marks, that won't happen. I said, a hint of warning in my voice. We'd already had a call from her teacher that she wasn't completing all her homework. Kelly had nothing to say to that and concentrated on her cereal. On the way out the door, she gave her mother a hug, but all I got was a wave. Sheila caught me noticing the perceived slight and said, It's because you're a meanie. I called the house from work mid-morning. "Hey. Sheila said. "You're home. I didn't know whether I'd catch you or not. Still here. What's up. Sally's dad. What. She was calling home from the office and when he didn't answer she took off. I just called to see how he was and he's gone. He's dead. Yeah. Oh jeez. How old was he. Seventy-nine, I think. He was in his late fifties when he had Sally. Sheila knew the history. The man had married a woman twenty years younger than he was, and still managed to outlive her. She'd died of an aneurysm a decade ago. "What happened to him. Don't know. I mean, he had diabetes, he'd been having heart trouble. Could have been a heart attack. We need to do something for her. I offered to drop by but she said she's got a lot to deal with right now. Funeral'll probably be in a couple of days. We can talk about it when you get back from Bridgeport. Where Sheila took her class. "We'll do something. We've always been there for her. I could almost picture Sheila shaking her head. "Look. she said, I'm heading out. I'll leave you and Kelly lasagna, okay? Joan's expecting her after school today and. I got it. Thanks. For what. Not giving up. Not letting things get you down. Just doing the best I can. she said. "I love you. I know I can be a pain in the ass, but I love you. Ditto. It was after ten. Sheila should have been home by now. I tried her cell for the second time in ten minutes. After six rings it went to voicemail. "Hi, you've reached Sheila Garber. Sorry I missed you. Leave a message and I'll get back to you. Then the beep. "Hey, me again. I said. "You're freaking me out. Call me. I put the cordless receiver back onto its stand and leaned up against the kitchen counter, folded my arms. As she'd promised, Sheila had left two servings of lasagna in the fridge, for Kelly and me, each hermetically sealed under plastic wrap. I'd heated Kelly's in the microwave when we got home, and she'd come back looking for seconds, but I couldn't find a baking dish with any more in it. I might as well have offered her mine, which a few hours later still sat on the counter. I wasn't hungry. I was rattled. Running out of work. The fire. Sally's dad. And even if I'd managed to recover my appetite late in the evening, the fact that Sheila still wasn't home had put me on edge. Her class, which was held at the Bridgeport Business College, had ended more than an hour and a half ago, and it was only a thirty-minute drive home. Which made her an hour late. Not that long, really. There were any number of explanations. She could have stayed after class to have a coffee with someone. That had happened a couple of times. Maybe the traffic was bad on the turnpike. All you needed was someone with a flat tire on the shoulder to slow everything down. An accident would stop everything dead. That didn't explain her not answering her cell, though. She'd been known to forget to turn it back on after class was over, but when that happened it went to voicemail right away. But the phone was ringing. Maybe it was tucked so far down in her purse she couldn't hear it. I wondered whether she'd decided to go to Darien to see her mother and not made it back out to Bridgeport in time for her class. Reluctantly, I made the call. "Hello. Fiona, it's Glen. In the background, I heard someone whisper, Who is it, love. Fiona's husband, Marcus. Technically speaking, Sheila's stepfather, but Fiona had remarried long after Sheila had left home and settled into a life with me. "Yes. she said. I told her Sheila was late getting back from Bridgeport, and I wondered if maybe her daughter had gotten held up at her place. "Sheila didn't come see me today. Fiona said. "I certainly wasn't expecting her. She never said anything about coming over. That struck me as odd. When Sheila mentioned maybe going to see Fiona, I'd figured she'd already bounced the idea off her. "Is there a problem, Glen. Fiona asked icily. There wasn't worry in her voice so much as suspicion. As if Sheila's staying out late had more to do with me than it did with her. "No, everything's fine. I said. "Go back to bed. I heard soft steps coming down from the second floor. Kelly, not yet in her pajamas, wandered into the kitchen. She looked at the still-wrapped lasagna on the counter and asked, Aren't you going to eat that. Hands off. I said, thinking maybe I'd get my appetite back once Sheila was home. I glanced at the wall clock. Quarter past ten. "Why aren't you in bed. Because you haven't told me to go yet. she said. "What have you been doing. Computer. Go to bed. I said.
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